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Author: Max Monroe
Publisher: Createspace Independent Publishing Platform
ISBN: 9781984368959
Category :
Languages : en
Pages : 230
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Book Description
From the New York Times & USA Today bestselling author of TAPPING THE BILLIONAIRE comes a hilarious and sexy standalone about fate, chance, and one heck of an epically awkward meet-cute. I'm Leo Landry, one of the best shutdown cornerbacks in the nation, and the New York Mavericks' first round draft pick. If James Bond spent his days running drills and his nights shutting out quarterbacks, he'd dream about being me. But professional football is on a whole other level from college, and as the new guy, I've got everything to prove.No problem. All I've got to do is focus, right? Too bad life's got other plans. Blond hair, long lashes, and criminal blue eyes, there's a pint-sized bombshell that I can't stop thinking about. I don't even know her name, but she's completely screwing up my game plan. It's too late to turn back now though. I have my eye on the prize, and I won't settle for anything less. 4th down and only one goal in my sights-this pretty little mystery girl. Good thing I'm at my best when the pressure's on.
Author: Max Monroe
Publisher: Createspace Independent Publishing Platform
ISBN: 9781984368959
Category :
Languages : en
Pages : 230
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Book Description
From the New York Times & USA Today bestselling author of TAPPING THE BILLIONAIRE comes a hilarious and sexy standalone about fate, chance, and one heck of an epically awkward meet-cute. I'm Leo Landry, one of the best shutdown cornerbacks in the nation, and the New York Mavericks' first round draft pick. If James Bond spent his days running drills and his nights shutting out quarterbacks, he'd dream about being me. But professional football is on a whole other level from college, and as the new guy, I've got everything to prove.No problem. All I've got to do is focus, right? Too bad life's got other plans. Blond hair, long lashes, and criminal blue eyes, there's a pint-sized bombshell that I can't stop thinking about. I don't even know her name, but she's completely screwing up my game plan. It's too late to turn back now though. I have my eye on the prize, and I won't settle for anything less. 4th down and only one goal in my sights-this pretty little mystery girl. Good thing I'm at my best when the pressure's on.
Author: Jessica Winter
Publisher: HarperCollins
ISBN: 0062971573
Category : Fiction
Languages : en
Pages : 352
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Book Description
“A beautifully observed and thrillingly honest novel about the dark corners of family life and the long, complicated search for understanding and grace.” —Jenny Offill, author of Dept. of Speculation and Weather “The Fourth Child is keen and beautiful and heartbreaking—an exploration of private guilt and unexpected obligation, of the intimate losses of power embedded in female adolescence, and of the fraught moments of glancing divinity that come with shouldering the burden of love.” —Jia Tolentino, New York Times bestselling author of Trick Mirror “A remarkable family saga . . . The Fourth Child is a balm—a reminder that it is possible for art to provide a nuanced exploration of life itself.” —Rumaan Alam, author of Leave the World Behind and Rich and Pretty The author of Break in Case of Emergency follows up her “extraordinary debut” (The Guardian) with a moving novel about motherhood and marriage, adolescence and bodily autonomy, family and love, religion and sexuality, and the delicate balance between the purity of faith and the messy reality of life. Book-smart, devoutly Catholic, and painfully unsure of herself, Jane becomes pregnant in high school; by her early twenties, she is raising three children in the suburbs of western New York State. In the fall of 1991, as her children are growing older and more independent, Jane is overcome by a spiritual and intellectual restlessness that leads her to become involved with a local pro-life group. Following the tenets of her beliefs, she also adopts a little girl from Eastern Europe. But Mirela is a difficult child. Deprived of a loving caregiver in infancy, she remains unattached to her new parents, no matter how much love Jane shows her. As Jane becomes consumed with chasing therapies that might help Mirela, her relationships with her family, especially her older daughter, Lauren, begin to fray. Feeling estranged from her mother and unsettled in her new high school, Lauren begins to discover the power of her own burgeoning creativity and sexuality—a journey that both echoes and departs from her mother’s own adolescent experiences. But when Lauren is confronted with the limits of her youth and independence, Jane is thrown into an emotional crisis, forced to reconcile her principles and faith with her determination to keep her daughters safe. The Fourth Child is a piercing love story and a haunting portrayal of how love can shatter—or strengthen—our beliefs.
Author: Judy Blume
Publisher: Simon and Schuster
ISBN: 1481409948
Category : Juvenile Nonfiction
Languages : en
Pages : 192
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Book Description
Faced with the difficulties of growing up and choosing a religion, a twelve-year-old girl talks over her problems with her own private God.
Author:
Publisher:
ISBN:
Category : Cattle
Languages : en
Pages : 1016
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Author:
Publisher:
ISBN:
Category : Cattle
Languages : en
Pages : 1030
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Author: Ernest Rumley Dawson
Publisher:
ISBN:
Category : Children
Languages : en
Pages : 250
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Author: Elena Ferrante
Publisher: Text Publishing
ISBN: 1922253278
Category : Fiction
Languages : en
Pages : 473
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The Story of the Lost Child is the long-awaited fourth volume in the Neapolitan novels (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay). The quartet traces the friendship between Elena and Lila, from their childhood in a poor neighbourhood in Naples, to their thirties, when both women are mothers but each has chosen a different path. Their lives are still inextricably linked, for better or worse, especially when it comes to the drama of a lost child. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Frantugmalia, a selection of interviews, letters and occasional writings by Ferrante, will be published in 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Prize. Praise for Ferrante and the Neapolitan novels ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘Ferrante is an expert above all at the rhythm of plotting...Whether it’s work, family, friends or sex–and Ferrante, perhaps thanks to her anonymity as an author, is blisteringly good on bad sex–our greatest mistakes in life aren’t isolated acts; we rehearse them over and over until we get them as badly wrong as we can.’ Independent ‘Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both.’ Harper’s ‘Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘The best thing I’ve read this year, far and away...She puts most other writing at the moment in the shade. She’s marvellous.’ Richard Flanagan ‘The Neapolitan series stands as a testament to the ability of great literature to challenge, flummox, enrage and excite as it entertains.’ Sydney Morning Herald ‘The depth of perception Ms. Ferrante shows about her character’s conflicts and psychological states is astonishing...Her novels ring so true and are written with such empathy that they sound confessional.’ Wall Street Journal ‘The older you get, the harder it is to recapture the intoxicating sense of discovery that comes when you first read George Eliot, Nabokov, Tolstoy or Colette. But this year it came again when I read Elena Ferrante’s remarkable Neapolitan novels.’ Jane Shilling, New Statesman ‘There is nothing remotely tiring or trying about the experience of reading the Neapolitan novels, which I, and a great many others, now rank among our greatest book-related pleasures...it is writing that holds honesty dear.’ Weekend Australian ‘Dickens gave working people a voice. Ferrante, whoever she might be, presents a new paradigm for being female in the world...Ferrante’s great literary creations, Lenu and Lila, have the same emotional weight as Anne in Persuasion, Jo in Little Women, Maggie in The Mill on the Floss, Jane in Jane Eyre.’ Helen Elliott in the Monthly ‘This stunning conclusion further solidifies the Neapolitan novels as Ferrante’s masterpiece and guarantees that this reclusive author will remain far from obscure for years to come.’ Publishers Weekly ‘The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily ‘Shattering and enthralling, intimate and vicious...The Neapolitan Novels are the kind of books that swallow me whole. As soon as I pick one up, I don’t want to breathe or move lest I break the spell...The Neapolitan Novels are among the most important in my reading life. I can’t recommend them highly enough.’ Readings ‘Ferrante captures the complexities of women, friendship and motherhood in ways that make your heart soar and ache in equal measures. If you haven’t already, treat yourself to this series.’ ELLE Australia ‘[Ferrante’s] Neapolitan novels contain real life – recognisable anxiety, joy, love and heartbreak. This is an incredibly difficult feat to achieve in the first place, let alone sustain, over four books. We will be talking about Elena and Lila for years to come.’ Sydney Morning Herald ‘There's a bright, sinewy humanness to Ferrante’s writing that is so alive it's alarming...The Story of the Lost Child is a full emotional experience, and a fitting end to a huge, arresting series.’ New Zealand Listener ‘I was one of the many who wept and wondered over Elena Ferrante’s The Story of the Lost Child. I plan to re-read the entire series soon.’ Favourite Feminist Reads from 2016, Feminist Writers Festival
Author: Robert Browning
Publisher:
ISBN:
Category :
Languages : en
Pages : 316
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Author:
Publisher:
ISBN:
Category : Cattle
Languages : en
Pages : 1066
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Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 512
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