Author: Lorraine Loots
Publisher: Jacana Media
ISBN: 9781928230274
Category : Art
Languages : en
Pages : 400
Book Description
Postcards For Ants is an exquisite retrospective collection from miniaturist artist and global Instagram phenomenon Lorraine Loots. It includes high-quality reproductions of her entire 2014 collection: 365 miniature watercolours inspired by Cape Town in its role as World Design Capital 2014. Part art book, part Cape Town tourist guide, Postcards For Ants puts a microscope onto one of the world s most beautiful cities, and is an instant collector s must-have."
365 Postcards for Ants
Author: Lorraine Loots
Publisher: Jacana Media
ISBN: 9781928230274
Category : Art
Languages : en
Pages : 400
Book Description
Postcards For Ants is an exquisite retrospective collection from miniaturist artist and global Instagram phenomenon Lorraine Loots. It includes high-quality reproductions of her entire 2014 collection: 365 miniature watercolours inspired by Cape Town in its role as World Design Capital 2014. Part art book, part Cape Town tourist guide, Postcards For Ants puts a microscope onto one of the world s most beautiful cities, and is an instant collector s must-have."
Publisher: Jacana Media
ISBN: 9781928230274
Category : Art
Languages : en
Pages : 400
Book Description
Postcards For Ants is an exquisite retrospective collection from miniaturist artist and global Instagram phenomenon Lorraine Loots. It includes high-quality reproductions of her entire 2014 collection: 365 miniature watercolours inspired by Cape Town in its role as World Design Capital 2014. Part art book, part Cape Town tourist guide, Postcards For Ants puts a microscope onto one of the world s most beautiful cities, and is an instant collector s must-have."
Art from a Fractured Past
Author: Cynthia E. Milton
Publisher: Duke University Press
ISBN: 0822377462
Category : History
Languages : en
Pages : 320
Book Description
Peru's Truth and Reconciliation Commission not only documented the political violence of the 1980s and 1990s but also gave Peruvians a unique opportunity to examine the causes and nature of that violence. In Art from a Fractured Past, scholars and artists expand on the commission's work, arguing for broadening the definition of the testimonial to include various forms of artistic production as documentary evidence. Their innovative focus on representation offers new and compelling perspectives on how Peruvians experienced those years and how they have attempted to come to terms with the memories and legacies of violence. Their findings about Peru offer insight into questions of art, memory, and truth that resonate throughout Latin America in the wake of "dirty wars" of the last half century. Exploring diverse works of art, including memorials, drawings, theater, film, songs, painted wooden retablos (three-dimensional boxes), and fiction, including an acclaimed graphic novel, the contributors show that art, not constrained by literal truth, can generate new opportunities for empathetic understanding and solidarity. Contributors. Ricardo Caro Cárdenas, Jesús Cossio, Ponciano del Pino, Cynthia M. Garza, Edilberto Jímenez Quispe, Cynthia E. Milton, Jonathan Ritter, Luis Rossell, Steve J. Stern, María Eugenia Ulfe, Víctor Vich, Alfredo Villar
Publisher: Duke University Press
ISBN: 0822377462
Category : History
Languages : en
Pages : 320
Book Description
Peru's Truth and Reconciliation Commission not only documented the political violence of the 1980s and 1990s but also gave Peruvians a unique opportunity to examine the causes and nature of that violence. In Art from a Fractured Past, scholars and artists expand on the commission's work, arguing for broadening the definition of the testimonial to include various forms of artistic production as documentary evidence. Their innovative focus on representation offers new and compelling perspectives on how Peruvians experienced those years and how they have attempted to come to terms with the memories and legacies of violence. Their findings about Peru offer insight into questions of art, memory, and truth that resonate throughout Latin America in the wake of "dirty wars" of the last half century. Exploring diverse works of art, including memorials, drawings, theater, film, songs, painted wooden retablos (three-dimensional boxes), and fiction, including an acclaimed graphic novel, the contributors show that art, not constrained by literal truth, can generate new opportunities for empathetic understanding and solidarity. Contributors. Ricardo Caro Cárdenas, Jesús Cossio, Ponciano del Pino, Cynthia M. Garza, Edilberto Jímenez Quispe, Cynthia E. Milton, Jonathan Ritter, Luis Rossell, Steve J. Stern, María Eugenia Ulfe, Víctor Vich, Alfredo Villar
Nineteen eighty-four
Author: George Orwell
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 265
Book Description
This is a dystopian social science fiction novel and morality tale. The novel is set in the year 1984, a fictional future in which most of the world has been destroyed by unending war, constant government monitoring, historical revisionism, and propaganda. The totalitarian superstate Oceania, ruled by the Party and known as Airstrip One, now includes Great Britain as a province. The Party uses the Thought Police to repress individuality and critical thought. Big Brother, the tyrannical ruler of Oceania, enjoys a strong personality cult that was created by the party's overzealous brainwashing methods. Winston Smith, the main character, is a hard-working and skilled member of the Ministry of Truth's Outer Party who secretly despises the Party and harbors rebellious fantasies.
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 265
Book Description
This is a dystopian social science fiction novel and morality tale. The novel is set in the year 1984, a fictional future in which most of the world has been destroyed by unending war, constant government monitoring, historical revisionism, and propaganda. The totalitarian superstate Oceania, ruled by the Party and known as Airstrip One, now includes Great Britain as a province. The Party uses the Thought Police to repress individuality and critical thought. Big Brother, the tyrannical ruler of Oceania, enjoys a strong personality cult that was created by the party's overzealous brainwashing methods. Winston Smith, the main character, is a hard-working and skilled member of the Ministry of Truth's Outer Party who secretly despises the Party and harbors rebellious fantasies.
Artificial Hells
Author: Claire Bishop
Publisher: Verso Books
ISBN: 1781683972
Category : Art
Languages : en
Pages : 483
Book Description
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
Publisher: Verso Books
ISBN: 1781683972
Category : Art
Languages : en
Pages : 483
Book Description
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
Cross-Media Communications
Author: Drew Davidson
Publisher: Lulu.com
ISBN: 0557285658
Category : Education
Languages : en
Pages : 296
Book Description
This text is an introduction to the future of mass media and mass communications - cross-media communications. Cross-media is explained through the presentation and analysis of contemporary examples and project-based tutorials in cross-media development. The text introduces fundamental terms and concepts, and provides a solid overview of cross-media communications, one that builds from a general introduction to a specific examination of media and genres to a discussion of the concepts involved in designing and developing cross-media communications. There is also an accompanying DVD-ROM full of hands-on exercises that shows how cross-media can be applied. For the DVD-ROM: http: //www.lulu.com/content/817927
Publisher: Lulu.com
ISBN: 0557285658
Category : Education
Languages : en
Pages : 296
Book Description
This text is an introduction to the future of mass media and mass communications - cross-media communications. Cross-media is explained through the presentation and analysis of contemporary examples and project-based tutorials in cross-media development. The text introduces fundamental terms and concepts, and provides a solid overview of cross-media communications, one that builds from a general introduction to a specific examination of media and genres to a discussion of the concepts involved in designing and developing cross-media communications. There is also an accompanying DVD-ROM full of hands-on exercises that shows how cross-media can be applied. For the DVD-ROM: http: //www.lulu.com/content/817927
Decolonizing Science in Latin American Art
Author: Joanna Page
Publisher: UCL Press
ISBN: 178735976X
Category : Art
Languages : en
Pages : 286
Book Description
Projects that bring the ‘hard’ sciences into art are increasingly being exhibited in galleries and museums across the world. In a surge of publications on the subject, few focus on regions beyond Europe and the Anglophone world. Decolonizing Science in Latin American Art assembles a new corpus of art-science projects by Latin American artists, ranging from big-budget collaborations with NASA and MIT to homegrown experiments in artists’ kitchens. While they draw on recent scientific research, these art projects also ‘decolonize’ science. If increasing knowledge of the natural world has often gone hand-in-hand with our objectification and exploitation of it, the artists studied here emphasize the subjectivity and intelligence of other species, staging new forms of collaboration and co-creativity beyond the human. They design technologies that work with organic processes to promote the health of ecosystems, and seek alternatives to the logics of extractivism and monoculture farming that have caused extensive ecological damage in Latin America. They develop do-it-yourself, open-source, commons-based practices for sharing creative and intellectual property. They establish critical dialogues between Western science and indigenous thought, reconnecting a disembedded, abstracted form of knowledge with the cultural, social, spiritual, and ethical spheres of experience from which it has often been excluded. Decolonizing Science in Latin American Art interrogates how artistic practices may communicate, extend, supplement, and challenge scientific ideas. At the same time, it explores broader questions in the field of art, including the relationship between knowledge, care, and curation; nonhuman agency; art and utility; and changing approaches to participation. It also highlights important contributions by Latin American thinkers to themes of global significance, including the Anthropocene, climate change and environmental justice.
Publisher: UCL Press
ISBN: 178735976X
Category : Art
Languages : en
Pages : 286
Book Description
Projects that bring the ‘hard’ sciences into art are increasingly being exhibited in galleries and museums across the world. In a surge of publications on the subject, few focus on regions beyond Europe and the Anglophone world. Decolonizing Science in Latin American Art assembles a new corpus of art-science projects by Latin American artists, ranging from big-budget collaborations with NASA and MIT to homegrown experiments in artists’ kitchens. While they draw on recent scientific research, these art projects also ‘decolonize’ science. If increasing knowledge of the natural world has often gone hand-in-hand with our objectification and exploitation of it, the artists studied here emphasize the subjectivity and intelligence of other species, staging new forms of collaboration and co-creativity beyond the human. They design technologies that work with organic processes to promote the health of ecosystems, and seek alternatives to the logics of extractivism and monoculture farming that have caused extensive ecological damage in Latin America. They develop do-it-yourself, open-source, commons-based practices for sharing creative and intellectual property. They establish critical dialogues between Western science and indigenous thought, reconnecting a disembedded, abstracted form of knowledge with the cultural, social, spiritual, and ethical spheres of experience from which it has often been excluded. Decolonizing Science in Latin American Art interrogates how artistic practices may communicate, extend, supplement, and challenge scientific ideas. At the same time, it explores broader questions in the field of art, including the relationship between knowledge, care, and curation; nonhuman agency; art and utility; and changing approaches to participation. It also highlights important contributions by Latin American thinkers to themes of global significance, including the Anthropocene, climate change and environmental justice.
Strong-Cuevas Drawings
Author:
Publisher: Harry N. Abrams
ISBN: 9781419729270
Category : Art
Languages : en
Pages : 0
Book Description
Artist Strong-Cuevas (b. 1929) says her work "expresses thoughts about universal consciousness, space and time, and inner mediation." Known for her sculptures made from bronze, stainless steel, and aluminum, Strong-Cuevas's art often portrays the human head and plays with scale. Her drawings are no different. They express the same themes, but are rarely used as a diagram for her sculptures. A companion to Strong-Cuevas Sculpture, this volume is a beautifully presented retrospective of Strong-Cuevas's drawings over the last 40 years. The book features 190 images, arranged thematically, and explores the recurring themes in Strong-Cuevas's art, regardless of medium. With a foreword by art critic Jan Garden Castro, Strong-Cuevas Drawings offers a closer look at the artist's process of creating expressive works.
Publisher: Harry N. Abrams
ISBN: 9781419729270
Category : Art
Languages : en
Pages : 0
Book Description
Artist Strong-Cuevas (b. 1929) says her work "expresses thoughts about universal consciousness, space and time, and inner mediation." Known for her sculptures made from bronze, stainless steel, and aluminum, Strong-Cuevas's art often portrays the human head and plays with scale. Her drawings are no different. They express the same themes, but are rarely used as a diagram for her sculptures. A companion to Strong-Cuevas Sculpture, this volume is a beautifully presented retrospective of Strong-Cuevas's drawings over the last 40 years. The book features 190 images, arranged thematically, and explores the recurring themes in Strong-Cuevas's art, regardless of medium. With a foreword by art critic Jan Garden Castro, Strong-Cuevas Drawings offers a closer look at the artist's process of creating expressive works.
The Kite Runner
Author: Khaled Hosseini
Publisher:
ISBN: 9781594483172
Category : Afghanistan
Languages : en
Pages : 0
Book Description
Traces the unlikely friendship of a wealthy Afghan youth and a servant's son in a tale that spans the final days of Afghanistan's monarchy through the atrocities of the present day.
Publisher:
ISBN: 9781594483172
Category : Afghanistan
Languages : en
Pages : 0
Book Description
Traces the unlikely friendship of a wealthy Afghan youth and a servant's son in a tale that spans the final days of Afghanistan's monarchy through the atrocities of the present day.
Virginia Woolf in the Age of Mechanical Reproduction
Author: Pamela Caughie
Publisher: Routledge
ISBN: 1135650861
Category : Music
Languages : en
Pages : 349
Book Description
This collection of ten original essays is the first to read Virginia Woolf through the prism of our technological present. Expanding on the work of feminist and cultural critics of the past two decades, this volume offers a sustained reflection on the relationship between Walter Benjamin's analyses of mass culture and technology and Woolf's cultural productions of the 1920s and 1930s. It also brings out the extent to which Woolf was beginning to image the technological society then taking shape. This book takes part in contemporary efforts to rethink modernism as a more globalized and technologized phenomenon
Publisher: Routledge
ISBN: 1135650861
Category : Music
Languages : en
Pages : 349
Book Description
This collection of ten original essays is the first to read Virginia Woolf through the prism of our technological present. Expanding on the work of feminist and cultural critics of the past two decades, this volume offers a sustained reflection on the relationship between Walter Benjamin's analyses of mass culture and technology and Woolf's cultural productions of the 1920s and 1930s. It also brings out the extent to which Woolf was beginning to image the technological society then taking shape. This book takes part in contemporary efforts to rethink modernism as a more globalized and technologized phenomenon
The Poison of Love
Author: Independent Writer K R Meera
Publisher: Penguin Random House India Pvt.Limited
ISBN: 9780143435532
Category :
Languages : en
Pages : 128
Book Description
Publisher: Penguin Random House India Pvt.Limited
ISBN: 9780143435532
Category :
Languages : en
Pages : 128
Book Description