Author: Archives of American Art
Publisher: Boston : G. K. Hall
ISBN:
Category : Art
Languages : en
Pages : 876
Book Description
Collection of Exhibition Catalogs
Author: Archives of American Art
Publisher: Boston : G. K. Hall
ISBN:
Category : Art
Languages : en
Pages : 876
Book Description
Publisher: Boston : G. K. Hall
ISBN:
Category : Art
Languages : en
Pages : 876
Book Description
The Complete Catalogue of Known and Documented Work by William Merritt Chase (1849-1916)
Author: Ronald G. Pisano
Publisher: Yale University Press
ISBN: 0300109962
Category : Art
Languages : en
Pages : 180
Book Description
The first in a beautiful four-volume complete catalogue of all known works by the beloved American artist William Merritt Chase A perennial favorite of museum visitors, the works of William Merritt Chase (1849-1916) embody the quintessential characteristics of American Impressionism: outdoor landscapes, a colorful palette, and an energetic brushstroke. He was also a portrait painter of the first rank, a master of still life, a renowned teacher, and a leader of artists' societies. This gorgeous book, the first of a four-volume definitive catalogue, features Chase's stunning paintings in pastel, which constitute a major and previously understudied body of work by the artist; monotypes; painted tiles and plates; watercolors; and prints. Reconstructing Chase's oeuvre is a daunting task, as the artist left few records of any kind, and no documentation of his individual works exists. Furthermore, Chase's paintings and pastels have been forged in great numbers throughout the years, and many of these works still surface on the art market. Making this long-awaited volume even more valuable is a list of every known exhibition of Chase's work during the artist's lifetime, selected examples of major post-1917 exhibitions, and an essay on Chase's innovative pastel technique.
Publisher: Yale University Press
ISBN: 0300109962
Category : Art
Languages : en
Pages : 180
Book Description
The first in a beautiful four-volume complete catalogue of all known works by the beloved American artist William Merritt Chase A perennial favorite of museum visitors, the works of William Merritt Chase (1849-1916) embody the quintessential characteristics of American Impressionism: outdoor landscapes, a colorful palette, and an energetic brushstroke. He was also a portrait painter of the first rank, a master of still life, a renowned teacher, and a leader of artists' societies. This gorgeous book, the first of a four-volume definitive catalogue, features Chase's stunning paintings in pastel, which constitute a major and previously understudied body of work by the artist; monotypes; painted tiles and plates; watercolors; and prints. Reconstructing Chase's oeuvre is a daunting task, as the artist left few records of any kind, and no documentation of his individual works exists. Furthermore, Chase's paintings and pastels have been forged in great numbers throughout the years, and many of these works still surface on the art market. Making this long-awaited volume even more valuable is a list of every known exhibition of Chase's work during the artist's lifetime, selected examples of major post-1917 exhibitions, and an essay on Chase's innovative pastel technique.
Catalog ...
Author: Randolph-Macon Woman's College
Publisher:
ISBN:
Category :
Languages : en
Pages : 248
Book Description
"Register of graduates [1896-1931]": 1931/32, p. [131]-342.
Publisher:
ISBN:
Category :
Languages : en
Pages : 248
Book Description
"Register of graduates [1896-1931]": 1931/32, p. [131]-342.
Society of Six
Author: Nancy Boas
Publisher: Univ of California Press
ISBN: 0520919777
Category : Art
Languages : en
Pages : 234
Book Description
Six plein-air painters in Oakland, California, joined together in 1917 to form an association that lasted nearly fifteen years. The Society of Six—Selden Connor Gile, Maurice Logan, William H. Clapp, August F. Gay, Bernard von Eichman, and Louis Siegriest—created a color-centered modernist idiom that shocked establishment tastes but remains the most advanced painting of its era in Northern California. Nancy Boas's well-informed and sumptuously illustrated chronicle recognizes the importance of these six painters in the history of American Post-Impressionism. The Six found themselves in the position of an avant garde not because they set out to reject conventionality, but because they aspired to create their own indigenous modernism. While the artists were considered outsiders in their time, their work is now recognized as part of the vital and enduring lineage of American art. Depression hardship ended the Six's ascendancy, but their painterliness, use of color, and deep alliance with the land and the light became a beacon for postwar Northern California modern painters such as Richard Diebenkorn and Wayne Thiebaud. Combining biography and critical analysis, Nancy Boas offers a fitting tribute to the lives and exhilarating painting of the Society of Six.
Publisher: Univ of California Press
ISBN: 0520919777
Category : Art
Languages : en
Pages : 234
Book Description
Six plein-air painters in Oakland, California, joined together in 1917 to form an association that lasted nearly fifteen years. The Society of Six—Selden Connor Gile, Maurice Logan, William H. Clapp, August F. Gay, Bernard von Eichman, and Louis Siegriest—created a color-centered modernist idiom that shocked establishment tastes but remains the most advanced painting of its era in Northern California. Nancy Boas's well-informed and sumptuously illustrated chronicle recognizes the importance of these six painters in the history of American Post-Impressionism. The Six found themselves in the position of an avant garde not because they set out to reject conventionality, but because they aspired to create their own indigenous modernism. While the artists were considered outsiders in their time, their work is now recognized as part of the vital and enduring lineage of American art. Depression hardship ended the Six's ascendancy, but their painterliness, use of color, and deep alliance with the land and the light became a beacon for postwar Northern California modern painters such as Richard Diebenkorn and Wayne Thiebaud. Combining biography and critical analysis, Nancy Boas offers a fitting tribute to the lives and exhilarating painting of the Society of Six.
Catalogue of the Public Documents of the ... Congress and of All Departments of the Government of the United States for the Period from ... to ...
Author:
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1328
Book Description
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1328
Book Description
Annual Report of the Officers and Committees of the Architectural League of New York
Author: Architectural League of New York
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 104
Book Description
Includes the constitution and by-laws and the roll of membership.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 104
Book Description
Includes the constitution and by-laws and the roll of membership.
Edwin Dickinson
Author: Douglas Dreishpoon
Publisher: Hudson Hills
ISBN: 9781555952143
Category : Art
Languages : en
Pages : 300
Book Description
This work surveys Edwin Dickinson's life and career, both of which revolved around Cape Cod, Buffalo, and New York's Finger Lakes region. It covers the artist's influential career as a teacher, and analyzes Dickinson's self-portraits and major symbolic paintings.
Publisher: Hudson Hills
ISBN: 9781555952143
Category : Art
Languages : en
Pages : 300
Book Description
This work surveys Edwin Dickinson's life and career, both of which revolved around Cape Cod, Buffalo, and New York's Finger Lakes region. It covers the artist's influential career as a teacher, and analyzes Dickinson's self-portraits and major symbolic paintings.
The English Catalogue of Books
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 468
Book Description
Vols. for 1898-1968 include a directory of publishers.
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 468
Book Description
Vols. for 1898-1968 include a directory of publishers.
The English Catalogue of Books ...
Author: Sampson Low
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 468
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 468
Book Description
Mapping Impressionist Painting in Transnational Contexts
Author: Emily C. Burns
Publisher: Routledge
ISBN: 1000372952
Category : Art
Languages : en
Pages : 318
Book Description
This book offers microhistories related to the transnational circulations of impressionism in the late nineteenth and early twentieth centuries. The contributors rethink the role of "French" impressionism in shaping these iterations by placing France within its global and imperialist context and arguing that impressionisms might be framed through the mobility studies’ concept of "constellations of mobility." Artists engaging with impressionism in France, as in other global contexts, relied on, responded to, appropriated, and resisted elements of form and content based on fluid and interconnected political realities and market structures. Written by scholars and curators, the chapters demand reconsideration of impressionism as a historical construct and the meanings assigned to that term. This project frames future discussion in art history, cultural studies, and global studies on the politics of appropriating impressionism.
Publisher: Routledge
ISBN: 1000372952
Category : Art
Languages : en
Pages : 318
Book Description
This book offers microhistories related to the transnational circulations of impressionism in the late nineteenth and early twentieth centuries. The contributors rethink the role of "French" impressionism in shaping these iterations by placing France within its global and imperialist context and arguing that impressionisms might be framed through the mobility studies’ concept of "constellations of mobility." Artists engaging with impressionism in France, as in other global contexts, relied on, responded to, appropriated, and resisted elements of form and content based on fluid and interconnected political realities and market structures. Written by scholars and curators, the chapters demand reconsideration of impressionism as a historical construct and the meanings assigned to that term. This project frames future discussion in art history, cultural studies, and global studies on the politics of appropriating impressionism.