3-D Hollywood

3-D Hollywood PDF Author: Suzanne Lloyd Hayes
Publisher:
ISBN: 9780671769482
Category : Photography
Languages : en
Pages : 95

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Book Description
Gathers 3-D photographs of Hollywood actors, actresses, and celebrities

3-D Hollywood

3-D Hollywood PDF Author: Suzanne Lloyd Hayes
Publisher:
ISBN: 9780671769482
Category : Photography
Languages : en
Pages : 95

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Book Description
Gathers 3-D photographs of Hollywood actors, actresses, and celebrities

3D Hollywood-35.00

3D Hollywood-35.00 PDF Author: H Llyod
Publisher:
ISBN: 9785553531881
Category :
Languages : en
Pages :

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Book Description


Harold Lloyd's Hollywood Nudes in 3-D!

Harold Lloyd's Hollywood Nudes in 3-D! PDF Author: Suzanne Lloyd
Publisher: Black Dog & Leventhal
ISBN: 9781579128821
Category : Photography
Languages : en
Pages : 0

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Book Description
A dazzling array of Hollywood starlets and pin-up girls come to life in hundreds of eye-popping, 3-D photographs taken by legendary film star Harold Lloyd "Lush and glorious?" ?Vanity Fair Includes a pair of Harold Lloyd-style 3-D glasses! Harold Lloyd, along with Charlie Chaplin and Buster Keaton, was one of the greatest stars of the silent film era, appearing in such classics as Safety Last! and The Freshman. He was also an avid photographer with a passion for stereoscopic photography, or 3-D. In 1947 he began taking pictures of family and friends, including Marilyn Monroe, Humphrey Bogart, Lauren Bacall, and Ronald Reagan. During his lifetime he took more than 300,000 photographs, thousands of which featured starlets and models who posed nude in front of some of the most spectacular and creative backdrops and scenery. Collected here for the first time by Lloyd's granddaughter, Suzanne Lloyd, and now in paperback, Harold Lloyd's Hollywood Nudes in 3-D! presents the most lavish, luscious, and, yes, ludicrous photographs of Hollywood nudes from the 1940's, 50's and 60's in all kinds of settings, including Lloyd's luxurious Greenacres estate, the Grand Canyon, and studios filled with outrageous props such as faux flowers, animal pelts, and Christmas kitsch. There are 200 photographs in all, 50 of them rendered in 3-D and viewable with the special Harold Lloyd?style 3-D spectacles for an enhanced and extraordinary visual experience!

3-D Revolution

3-D Revolution PDF Author: Ray Zone
Publisher: University Press of Kentucky
ISBN: 0813140706
Category : Performing Arts
Languages : en
Pages : 456

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Book Description
In 2009, Avatar, a 3-D movie directed by James Cameron, became the most successful motion picture of all time, a technological breakthrough that has grossed more than $2.5 billion worldwide. Its seamless computer-generated imagery and live action stereo photography effectively defined the importance of 3-D to the future of cinema, as well as all other currently evolving digital displays. Though stereoscopic cinema began in the early nineteenth century and exploded in the 1950s in Hollywood, its present status as an enduring genre was confirmed by Avatar's success. 3-D Revolution: The History of Modern Stereoscopic Cinema traces the rise of modern 3-D technology from Arch Oboler's Bwana Devil (1952), which launched the 50s 3-D boom in Hollywood, to the rapidly-modernizing 3-D industry today. Ray Zone takes a comprehensive approach that not only examines the technology of the films, but also investigates the business, culture, and art of their production. Influencing new generations of filmmakers for decades, the evolution of 3-D cinema technology continues to fill our theaters with summer blockbusters and holiday megahits.

3D Movie Making

3D Movie Making PDF Author: Bernard Mendiburu
Publisher: Taylor & Francis
ISBN: 0240811372
Category : Art
Languages : en
Pages : 233

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Book Description
Hollywood is going 3D, readers learn how to adapt their production skills to this hot new medium so they can be part of the movement.

Exploring 3D

Exploring 3D PDF Author: Adrian Pennington
Publisher: Taylor & Francis
ISBN: 0240823729
Category : Computers
Languages : en
Pages : 221

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Book Description
Stereographers, who represent the key new role on set liaising between director and cinematographer, believe it is a key part of their job to inform and inspire directors and producers about the potential of 3D stereo. In Exploring 3D leading directors, editors, and cinematographers of 3D film and TV production argue persuasively that 3D techniques should become a staple visual storytelling tool on a par with lighting, set design, or sound. They share their views on how this evolving set of technologies and filmmaking techniques are used to create a new aesthetic and language for visual storytelling. Highlights include interviews and images form How to Train Your Dragon, Coraline, Hugo, and The Great Gatsby.

Stereoscopic Cinema and the Origins of 3-D Film, 1838-1952

Stereoscopic Cinema and the Origins of 3-D Film, 1838-1952 PDF Author: Ray Zone
Publisher: University Press of Kentucky
ISBN: 0813145902
Category : Performing Arts
Languages : en
Pages : 232

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Book Description
From stereoview cards to large-format IMAX films, 3-D technology's heightened realism and powerful visual allure have held audiences captive for over a century and a half. The technology, known as stereoscopy, creates an illusion of depth by presenting two slightly different images to the eye in print or on-screen. The advent of stereoscopic film technology excited both filmmakers and audiences, as a means of replicating all of the sounds, colors, movement, and dimensionality of life and nature for the first time. The origins of 3-D film are often linked with a proliferation of stereoscopic films in the 1950s. By the time films like Man in the Dark and House of Wax was attracting large crowds, however, the technology behind this form of filmmaking was already over a century old. Stereoscopic Cinema and the Origins of 3-D Film, 1838--1952, examines this "novelty period" of stereoscopic film, charting its progression from Charles Wheatstone's 1938 discovery of 3-D to the 1952 release of Arch Oboler's innovative film, Bwana Devil. Stereoscopic specialist Ray Zone argues that the development of stereoscopic film can best be understood through a historical analysis of the technology rather than of its inventors. Zone examines the products used to create stereoscopic images, noting such milestones as David Brewster's and Oliver Wendell Holmes's work with stereoscopes, the use of polarizing image selection, and the success of twin-strip 3-D films, among others. In addition, Zone looks at the films produced up to 1952, discussing public reception of early 3-D short films as well as longer features such as Power of Love in single-strip anaglyphic projection in 1922 and Semyon Ivanov's 1941 autostereoscope Robinson Crusoe. He integrates his examination of the evolution of 3-D film with other cinematic developments, demonstrating the connection between stereoscopic motion pictures and modern film production. Stereoscopic Cinema and the Origins of 3-D Film, 1838--1952, is an exhaustive study of not only the evolution of 3-D technology and the subsequent filmmaking achievements but also the public response to and cultural impact of 3-D movies. Zone takes the reader on a voyage of discovery into the rich history of a field that predates photography and that continues to influence television and computer animation today.

3D Storytelling

3D Storytelling PDF Author: Bruce Block
Publisher: Taylor & Francis
ISBN: 1136038825
Category : Performing Arts
Languages : en
Pages : 237

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Book Description
3D Storytelling is the ultimate guide for directors, cinematographers, producers, and designers of stereoscopic 3D movies and videos. With an emphasis on the aesthetic over the technical, this book is an essential foundation for showing you how to use 3D creatively to tell a story. Hollywood producer Bruce Block and Dreamworks stereoscopic supervisor Philip Captain 3D McNally blend their vast real-world experience and teaching skills to help you learn how to: * Think in 3D * Integrate 3D design into your script or story * Direct and design the 3D depth of your shots * Use stereoscopic windows * Work with the depth cues in 3D * Create a comfortable viewing experience for the audience * Plan editing and directorial considerations for 3D * Understand closed, open, and unstable 3D space Brimming with practical information that can be immediately applied to your 3D production, the book also features interviews with some of the industry’s leading stereographers, as well as 3D diagrams and photographs that illustrate how 3D works, how it can be controlled in production, and how 3D can be used to tell a story.

3D Studio MAX F/x for Windows NT

3D Studio MAX F/x for Windows NT PDF Author: Jon A. Bell
Publisher: Ventana Communications Group
ISBN: 9781566044271
Category : Computers
Languages : en
Pages : 556

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Book Description
Animation, illusion, camouflage, illumination and simulation--this is the stuff 3D special effects are made of. And with this book, readers learn from a 3D Studio MAX expert--plunging into three-dimensional worlds from outer space to undersea. Users can then springboard into creating their own computer fantasies for video productions, multimedia and educational presentations. Includes online component.

A History of Three-Dimensional Cinema

A History of Three-Dimensional Cinema PDF Author: David A. Cook
Publisher: Anthem Press
ISBN: 1839980141
Category : Performing Arts
Languages : en
Pages : 273

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Book Description
A History of Three-Dimensional Cinema chronicles 3-D cinema as a single, continuous and coherent medium, proceeding from 19th-century experiments in stereoscopic photography and lantern projection (1839–1892) to stereoscopic cinema’s “long novelty period” (1893–1952). It proceeds to examine the first Hollywood boom in anaglyphic stereo (1953–1955), when the mainstream industry produced 69 features in 3-D, mostly action films that could exploit the depth illusion, but also a handful of big-budget films—for example, Kiss Me Kate (George Sidney, 1953) and Dial M for Murder (Alfred Hitchcock, 1954)—until audiences tired of the process; the anaglyphic revival of 1970–1985, when 3-D was sustained as a novelty feature in sensational genres like soft-core pornography and horror; the age of IMAX 3-D (1986–2008); the current era of digital 3-D cinema, which began in 2009 when James Cameron’s Avatar became the highest-grossing feature of all time and the studios once again stampeded into 3-D production; and finally the future promise of Virtual Reality.