Author: Andrew A. Erish
Publisher: University Press of Kentucky
ISBN: 0813181224
Category : Performing Arts
Languages : en
Pages : 304
Book Description
In Vitagraph, Andrew A. Erish provides the first comprehensive examination and reassessment of the company most responsible for defining and popularizing the American movie. This history challenges long-accepted Hollywood mythology that simply isn't true: that Paramount and Fox invented the feature film, that Universal created the star system, and that these companies, along with MGM and Warner Bros., developed motion pictures into a multi-million-dollar business. In fact, the truth about Vitagraph is far more interesting than the myths that later moguls propagated about themselves. Established in 1897 by J. Stuart Blackton and Albert E. Smith, Vitagraph was the leading producer of motion pictures for much of the silent era. Vitagraph established America's studio system, a division of labor utilizing specialized craftspeople and artists, including a surprising number of women and minorities, whose aesthetic innovations have long been incorporated into virtually all commercial cinema. They developed fundamental aspects of the form and content of American movies, encompassing everything from framing, lighting, and performance style to emphasizing character-driven comedy and drama in stories that respected and sometimes poked fun at every demographic of Vitagraph's vast audience. The company overcame resistance to multi-reel motion pictures by establishing a national distribution network for its feature films. Vitagraph's international distribution was even more successful, cultivating a worldwide preference for American movies that endures to the present. For most of its existence America's most influential studio was headquartered in Brooklyn, New York before relocating to Hollywood. Finally, here is a historically rigorous and thorough account of the most influential producer of American motion pictures during the silent era. Drawing on valuable primary material long overlooked by other historians, Erish introduces readers to the fascinating, forgotten pioneers of Vitagraph.
Vitagraph
Author: Andrew A. Erish
Publisher: University Press of Kentucky
ISBN: 0813181224
Category : Performing Arts
Languages : en
Pages : 304
Book Description
In Vitagraph, Andrew A. Erish provides the first comprehensive examination and reassessment of the company most responsible for defining and popularizing the American movie. This history challenges long-accepted Hollywood mythology that simply isn't true: that Paramount and Fox invented the feature film, that Universal created the star system, and that these companies, along with MGM and Warner Bros., developed motion pictures into a multi-million-dollar business. In fact, the truth about Vitagraph is far more interesting than the myths that later moguls propagated about themselves. Established in 1897 by J. Stuart Blackton and Albert E. Smith, Vitagraph was the leading producer of motion pictures for much of the silent era. Vitagraph established America's studio system, a division of labor utilizing specialized craftspeople and artists, including a surprising number of women and minorities, whose aesthetic innovations have long been incorporated into virtually all commercial cinema. They developed fundamental aspects of the form and content of American movies, encompassing everything from framing, lighting, and performance style to emphasizing character-driven comedy and drama in stories that respected and sometimes poked fun at every demographic of Vitagraph's vast audience. The company overcame resistance to multi-reel motion pictures by establishing a national distribution network for its feature films. Vitagraph's international distribution was even more successful, cultivating a worldwide preference for American movies that endures to the present. For most of its existence America's most influential studio was headquartered in Brooklyn, New York before relocating to Hollywood. Finally, here is a historically rigorous and thorough account of the most influential producer of American motion pictures during the silent era. Drawing on valuable primary material long overlooked by other historians, Erish introduces readers to the fascinating, forgotten pioneers of Vitagraph.
Publisher: University Press of Kentucky
ISBN: 0813181224
Category : Performing Arts
Languages : en
Pages : 304
Book Description
In Vitagraph, Andrew A. Erish provides the first comprehensive examination and reassessment of the company most responsible for defining and popularizing the American movie. This history challenges long-accepted Hollywood mythology that simply isn't true: that Paramount and Fox invented the feature film, that Universal created the star system, and that these companies, along with MGM and Warner Bros., developed motion pictures into a multi-million-dollar business. In fact, the truth about Vitagraph is far more interesting than the myths that later moguls propagated about themselves. Established in 1897 by J. Stuart Blackton and Albert E. Smith, Vitagraph was the leading producer of motion pictures for much of the silent era. Vitagraph established America's studio system, a division of labor utilizing specialized craftspeople and artists, including a surprising number of women and minorities, whose aesthetic innovations have long been incorporated into virtually all commercial cinema. They developed fundamental aspects of the form and content of American movies, encompassing everything from framing, lighting, and performance style to emphasizing character-driven comedy and drama in stories that respected and sometimes poked fun at every demographic of Vitagraph's vast audience. The company overcame resistance to multi-reel motion pictures by establishing a national distribution network for its feature films. Vitagraph's international distribution was even more successful, cultivating a worldwide preference for American movies that endures to the present. For most of its existence America's most influential studio was headquartered in Brooklyn, New York before relocating to Hollywood. Finally, here is a historically rigorous and thorough account of the most influential producer of American motion pictures during the silent era. Drawing on valuable primary material long overlooked by other historians, Erish introduces readers to the fascinating, forgotten pioneers of Vitagraph.
The Cockney Who Sold the Alps
Author: McNee, Alan
Publisher: Victorian Secrets Limited
ISBN: 1906469520
Category : Biography & Autobiography
Languages : en
Pages : 246
Book Description
Albert Smith is one of the most famous Victorians of whom you’ve probably never heard. During his lifetime, he was a household name, thrilling audiences with his Ascent of Mont Blanc show at London’s Egyptian Hall. An inveterate showman, Smith was also a doctor, journalist, raconteur, novelist, travel writer, and playwright. His many talents were outstripped only by his boundless self-belief and huge personality. Even Queen Victoria described him in her journal as “inimitable”, an epithet Smith’s contemporary Charles Dickens liked to reserve for himself. Although Smith died aged only 43, he managed to pack much incident into his short life. He was robbed by highwaymen in Italy, narrowly escaped death in a hot air ballooning accident, and dodged arrest in Paris during the June Days Uprising of 1848. He also got caught up in the row over Dickens’s affair with Ellen Ternan. While his bumptiousness made Smith a divisive figure, many saw in him the Victorian ideal of the self-made man: energetic, imaginative, and ready to seize any new opportunity. As Alan McNee explains in this lively biography, it was his intrepid ascent of Mont Blanc in 1851 that propelled Smith to stardom. His subsequent show inspired ‘Mont Blanc mania’, encouraging participation in mountaineering as a popular pursuit. The Cockney Who Sold the Alps is a story of ambition, spectacle, and the fleeting nature of celebrity.
Publisher: Victorian Secrets Limited
ISBN: 1906469520
Category : Biography & Autobiography
Languages : en
Pages : 246
Book Description
Albert Smith is one of the most famous Victorians of whom you’ve probably never heard. During his lifetime, he was a household name, thrilling audiences with his Ascent of Mont Blanc show at London’s Egyptian Hall. An inveterate showman, Smith was also a doctor, journalist, raconteur, novelist, travel writer, and playwright. His many talents were outstripped only by his boundless self-belief and huge personality. Even Queen Victoria described him in her journal as “inimitable”, an epithet Smith’s contemporary Charles Dickens liked to reserve for himself. Although Smith died aged only 43, he managed to pack much incident into his short life. He was robbed by highwaymen in Italy, narrowly escaped death in a hot air ballooning accident, and dodged arrest in Paris during the June Days Uprising of 1848. He also got caught up in the row over Dickens’s affair with Ellen Ternan. While his bumptiousness made Smith a divisive figure, many saw in him the Victorian ideal of the self-made man: energetic, imaginative, and ready to seize any new opportunity. As Alan McNee explains in this lively biography, it was his intrepid ascent of Mont Blanc in 1851 that propelled Smith to stardom. His subsequent show inspired ‘Mont Blanc mania’, encouraging participation in mountaineering as a popular pursuit. The Cockney Who Sold the Alps is a story of ambition, spectacle, and the fleeting nature of celebrity.
The Blue and Gold
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 706
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 706
Book Description
Albert Einstein, Mileva Maric
Author: Albert Einstein
Publisher: Princeton University Press
ISBN: 0691088861
Category : Biography & Autobiography
Languages : en
Pages : 139
Book Description
In 1903, despite the vehement objections of his parents, Albert Einstein married Mileva Maric, the companion, colleague, and confidante whose influence on his most creative years has given rise to much speculation. Beginning in 1897, after Einstein and Maric met as students at the Swiss Federal Polytechnic, and ending shortly after their marriage, these fifty-four love letters offer a rare glimpse into Einstein's relationship with his first wife while shedding light on his intellectual development in the period before the annus mirabilis of 1905. Unlike the picture of Einstein the lone, isolated thinker of Princeton, he appears here both as the burgeoning enfant terrible of science and as an amorous young man beset, along with his fiance, by financial and personal struggles--among them the illegitimate birth of their daughter, whose existence is known only by these letters. Describing his conflicts with professors and other scientists, his arguments with his mother over Maric, and his difficulty obtaining an academic position after graduation, the letters enable us to reconstruct the youthful Einstein with an unprecedented immediacy. His love for Maric, whom he describes as "a creature who is my equal, and who is as strong and independent as I am," brings forth his serious as well as playful, often theatrical nature. After their marriage, however, Maric becomes less his intellectual companion, and, failing to acquire a teaching certificate, she subordinates her professional goals to his. In the final letters Einstein has obtained a position at the Swiss Patent Office and mentions their daughter one last time to his wife in Hungary, where she is assumed to have placed the girl in the care of relatives. Informative, entertaining, and often very moving, this collection of letters captures for scientists and general readers alike a little known yet crucial period in Einstein's life.
Publisher: Princeton University Press
ISBN: 0691088861
Category : Biography & Autobiography
Languages : en
Pages : 139
Book Description
In 1903, despite the vehement objections of his parents, Albert Einstein married Mileva Maric, the companion, colleague, and confidante whose influence on his most creative years has given rise to much speculation. Beginning in 1897, after Einstein and Maric met as students at the Swiss Federal Polytechnic, and ending shortly after their marriage, these fifty-four love letters offer a rare glimpse into Einstein's relationship with his first wife while shedding light on his intellectual development in the period before the annus mirabilis of 1905. Unlike the picture of Einstein the lone, isolated thinker of Princeton, he appears here both as the burgeoning enfant terrible of science and as an amorous young man beset, along with his fiance, by financial and personal struggles--among them the illegitimate birth of their daughter, whose existence is known only by these letters. Describing his conflicts with professors and other scientists, his arguments with his mother over Maric, and his difficulty obtaining an academic position after graduation, the letters enable us to reconstruct the youthful Einstein with an unprecedented immediacy. His love for Maric, whom he describes as "a creature who is my equal, and who is as strong and independent as I am," brings forth his serious as well as playful, often theatrical nature. After their marriage, however, Maric becomes less his intellectual companion, and, failing to acquire a teaching certificate, she subordinates her professional goals to his. In the final letters Einstein has obtained a position at the Swiss Patent Office and mentions their daughter one last time to his wife in Hungary, where she is assumed to have placed the girl in the care of relatives. Informative, entertaining, and often very moving, this collection of letters captures for scientists and general readers alike a little known yet crucial period in Einstein's life.
A Guide to Research Collections of Former Members of the United States House of Representatives, 1789-1987
Author: Cynthia Pease Miller
Publisher:
ISBN:
Category : Archival resources
Languages : en
Pages : 528
Book Description
Publisher:
ISBN:
Category : Archival resources
Languages : en
Pages : 528
Book Description
Catalogue of Autograph Letters, Historical and Literary Documents, and Engraved Portraits, Forming Part of the Collection of a Member of the Incorporated Law Society
Author: Incorporated Law Society (Great Britain)
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 142
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 142
Book Description
Papers and Correspondence of William Stanley Jevons
Author: William Stanley Jevons
Publisher: Springer
ISBN: 134900720X
Category : Business & Economics
Languages : en
Pages : 259
Book Description
Publisher: Springer
ISBN: 134900720X
Category : Business & Economics
Languages : en
Pages : 259
Book Description
The Athenaeum
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1338
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1338
Book Description
Letters of Horace Walpole, Earl of Orford, to Sir Horace Mann
Author: Horace Walpole
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 480
Book Description
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 480
Book Description
Catalogue of the Printed Books in the Library of the Faculty of Advocates
Author: Faculty of Advocates (Scotland). Library
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1042
Book Description
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1042
Book Description