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Author:
Publisher:
ISBN:
Category : Painting, French
Languages : en
Pages : 48
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Author:
Publisher:
ISBN:
Category : Painting, French
Languages : en
Pages : 48
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Book Description
Author: David Findlay Galleries (New York, N.Y.)
Publisher:
ISBN:
Category : Painting, French
Languages : en
Pages : 5
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Author: E.J. van Wisselingh (Amsterdam)
Publisher:
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Category :
Languages : en
Pages : 10
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Author: Albert Boime
Publisher:
ISBN: 9780300244458
Category : Academic art, French
Languages : en
Pages : 330
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Book Description
"Using words and works of both pupils and masters of the French Academy of Beaux-Arts, this fascinating book provides a wealth of information about the environment and studio practices of French official art from 1830 to 1890. Albert Boime describes the training of new pupils in the Academic ateliers, from the time they began and were set to copy engravings and casts to their copying of the old masters in the Louvre to their work before the live model and landscape painting out-of-doors. Boime's account includes not only a history of the transition from guild-controlled arts sanctioned by the church to an academic system sponsored by the state but also a reassessment of the positive role played by the Academy's teaching program in the evolution of the independent movements of the nineteenth century"--Publisher's description.
Author:
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ISBN:
Category :
Languages : en
Pages : 45
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Author: Wally Findlay Galleries
Publisher:
ISBN:
Category : Painting, French
Languages : en
Pages : 39
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Author:
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ISBN:
Category :
Languages : en
Pages : 7
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Author: Richard R. Brettell
Publisher: Metropolitan Museum of Art
ISBN: 1588393496
Category : Painting, Modern
Languages : en
Pages : 482
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Book Description
Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.
Author: Lee Hendrix
Publisher: Getty Publications
ISBN: 1606064827
Category : Art
Languages : en
Pages : 186
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Book Description
Due to the technological advances of the nineteenth century, an abundance of black drawing media exploded onto the market. Charcoal, conte crayon, and fabricated black chalks and crayons; fixatives; various papers; and many lifting devices gave rise to an unprecedented amount of experimentation. Indeed, innovation became the rule, as artists developed their own unique—and often experimental—processes. The exploration of black media in drawing is inextricably bound up with the exploration of black in prints, and this volume presents an integrated study that rises above specialization in one over the other. Noir brings together such diverse artists as Francisco de Goya, Maxime Lalanne, Gustave Courbet, Odilon Redon, and Georges Seurat and explores their inventive works on paper. Sidelining labels like “conservative” or “avant-garde,” the essays in this book employ all the tools that art history and modern conservation have given us, inviting the reader to look more broadly at the artists’ methods and materials. This volume accompanies an eponymous exhibition on view at the J. Paul Getty Museum from February 9 to May 15, 2016.
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Category :
Languages : en
Pages : 8
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