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Author: Robert M. Levine
Publisher:
ISBN:
Category : History
Languages : en
Pages : 246
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Book Description
Examines how photography helped define the ways Latin Americans came to see themselves and the world. Levine (history, U. of Miami) focuses on the evolution of Latin American photography from it's earliest origins in the late 1830s to the rise of mass communications and the accompanying saturation of the public with photographic images of the 1920s and 30s. Includes some 225 photos. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Robert M. Levine
Publisher:
ISBN:
Category : History
Languages : en
Pages : 246
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Book Description
Examines how photography helped define the ways Latin Americans came to see themselves and the world. Levine (history, U. of Miami) focuses on the evolution of Latin American photography from it's earliest origins in the late 1830s to the rise of mass communications and the accompanying saturation of the public with photographic images of the 1920s and 30s. Includes some 225 photos. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Sylvie Pénichon
Publisher: Getty Publications
ISBN: 1606061569
Category : Art
Languages : en
Pages : 362
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Book Description
With the advent of digital imaging, the era of traditional color photography is coming to an end. Yet more than 150 years after the invention of color photography, museums, archives, and personal collections are full of images to be cherished, studied, and preserved. These photographs, often made with processes and materials no longer used or easily identified, constitute an important part of the cultural and artistic heritage of the twentieth century. Today it is more important than ever to capture the technical understanding of the processes that created these irreplaceable images. In providing an accessible overview of the history and technology of the major traditional color photographic processes, this abundantly illustrated volume promises to become the standard reference in its field. Following an introductory chapter on color photography in the nineteenth century, seven uniformly structured chapters discuss the most commercially or historically significant processes of the twentieth century--additive color screen, pigment, dye imbibition, dye coupling, dye destruction, dye diffusion, and dye mordanting and silver toning--offering readers a user-friendly guide to materials, methods of identification, and common kinds of deterioration. A final chapter presents specific guidelines for collection management, storage, and preservation. There is also a glossary of technical terms, along with appendixes presenting detailed chronologies for Kodachrome and Ektachrome transparencies, Cibachrome/Ilfochrome printing materials, and Instant films. This book will interest instructors and students in classroom settings; conservators, registrars, curators, archivists, and collection caretakers; and anyone else concerned with the long-term preservation of color photographs.
Author: Catskill Center for Photography (Woodstock, N.Y.)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Nicoletta Leonardi
Publisher: Penn State Press
ISBN: 0271082542
Category : Photography
Languages : en
Pages : 251
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Book Description
In this volume, leading scholars of photography and media examine photography’s vital role in the evolution of media and communication in the nineteenth century. In the first half of the nineteenth century, the introduction of telegraphy, the development of a cheaper and more reliable postal service, the rise of the mass-circulation press, and the emergence of the railway dramatically changed the way people communicated and experienced time and space. Concurrently, photography developed as a medium that changed how images were produced and circulated. Yet, for the most part, photography of the era is studied outside the field of media history. The contributors to this volume challenge those established disciplinary boundaries as they programmatically explore the intersections of photography and “new media” during a period of fast-paced change. Their essays look at the emergence and early history of photography in the context of broader changes in the history of communications; the role of the nascent photographic press in photography’s infancy; and the development of photographic techniques as part of a broader media culture that included the mass-consumed novel, sound recording, and cinema. Featuring essays by noteworthy historians in photography and media history, this discipline-shifting examination of the communication revolution of the nineteenth century is an essential addition to the field of media studies. In addition to the editors, contributors to this volume are Geoffrey Batchen, Geoffrey Belknap, Lynn Berger, Jan von Brevern, Anthony Enns, André Gaudreault, Lisa Gitelman, David Henkin, Erkki Huhtamo, Philippe Marion, Peppino Ortoleva, Steffen Siegel, Richard Taws, and Kim Timby.
Author: Center for Photography at Woodstock (Woodstock, N.Y.)
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 28
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Book Description
Author: Alan Trachtenberg
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 360
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Book Description
Analyse: Contributions de Barbara MacAndless, Keith F. Davis, Peter Bacon Hales, Sarah Greenhough.
Author: Marcus Aurelius Root
Publisher:
ISBN:
Category : Daguerreotype
Languages : en
Pages : 488
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Book Description
Author: John Hannavy
Publisher: Routledge
ISBN: 1135873275
Category : Photography
Languages : en
Pages : 1629
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Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Author: Philadelphia Photo Review
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: John Falconer
Publisher: Strandberg
ISBN: 9788793604445
Category : India
Languages : en
Pages : 0
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Book Description
A fantastic insight into Colonial India through vintage photographyAt the beginning of the 1850s, photography had gained acceptance in Colonial India. With its magnificent architecture, exotic landscapes and many different cultures, India could offer fantastic photographic scenes. In this splendid photobook, which is also the catalogue for an exhibition at The David Collection in Copenhagen, the author has collected photos by English and some Indian photographers. Their images represent India's architecture in all its glory - outstanding palaces and monuments, including Taj Mahal - as well as portraits of princes, maharajas, ministers and warriors in all their splendour.There are also photos of the typical Indian craftsmen - stone- and woodcarvers, carpenters and colourists - as well as photos of elephants, people bathing in the Ganges river, people harvesting hay and working in gardens, acrobats, snake charmers, dancers, musicians and religious processions. All photos are accompanied by descriptive captions while a map of India creates overview of which locations the photos were taken.
