Author: Andrew Grant Jackson
Publisher: Macmillan + ORM
ISBN: 1250299993
Category : Music
Languages : en
Pages : 318
Book Description
A fascinating account of the music and epic social change of 1973, a defining year for David Bowie, Bruce Springsteen, Pink Floyd, Elton John, the Rolling Stones, Eagles, Elvis Presley, and the former members of The Beatles. 1973 was the year rock hit its peak while splintering—just like the rest of the world. Ziggy Stardust travelled to America in David Bowie’s Aladdin Sane. The Dark Side of the Moon began its epic run on the Billboard charts, inspired by the madness of Pink Floyd's founder, while all four former Beatles scored top ten albums, two hitting #1. FM battled AM, and Motown battled Philly on the charts, as the era of protest soul gave way to disco, while DJ Kool Herc gave birth to hip hop in the Bronx. The glam rock of the New York Dolls and Alice Cooper split into glam metal and punk. Hippies and rednecks made peace in Austin thanks to Willie Nelson, while outlaw country, country rock, and Southern rock each pointed toward modern country. The Allman Brothers, Grateful Dead, and the Band played the largest rock concert to date at Watkins Glen. Led Zep’s Houses of the Holy reflected the rise of funk and reggae. The singer songwriter movement led by Bob Dylan, Neil Young, and Joni Mitchell flourished at the Troubadour and Max’s Kansas City, where Bruce Springsteen and Bob Marley shared bill. Elvis Presley’s Aloha from Hawaii via Satellite was NBC’s top-rated special of the year, while Elton John’s albums dominated the number one spot for two and a half months. Just as U.S. involvement in Vietnam drew to a close, Roe v. Wade ignited a new phase in the culture war. While the oil crisis imploded the American dream of endless prosperity, and Watergate’s walls closed in on Nixon, the music of 1973 both reflected a shattered world and brought us together.
1973: Rock at the Crossroads
Author: Andrew Grant Jackson
Publisher: Macmillan + ORM
ISBN: 1250299993
Category : Music
Languages : en
Pages : 318
Book Description
A fascinating account of the music and epic social change of 1973, a defining year for David Bowie, Bruce Springsteen, Pink Floyd, Elton John, the Rolling Stones, Eagles, Elvis Presley, and the former members of The Beatles. 1973 was the year rock hit its peak while splintering—just like the rest of the world. Ziggy Stardust travelled to America in David Bowie’s Aladdin Sane. The Dark Side of the Moon began its epic run on the Billboard charts, inspired by the madness of Pink Floyd's founder, while all four former Beatles scored top ten albums, two hitting #1. FM battled AM, and Motown battled Philly on the charts, as the era of protest soul gave way to disco, while DJ Kool Herc gave birth to hip hop in the Bronx. The glam rock of the New York Dolls and Alice Cooper split into glam metal and punk. Hippies and rednecks made peace in Austin thanks to Willie Nelson, while outlaw country, country rock, and Southern rock each pointed toward modern country. The Allman Brothers, Grateful Dead, and the Band played the largest rock concert to date at Watkins Glen. Led Zep’s Houses of the Holy reflected the rise of funk and reggae. The singer songwriter movement led by Bob Dylan, Neil Young, and Joni Mitchell flourished at the Troubadour and Max’s Kansas City, where Bruce Springsteen and Bob Marley shared bill. Elvis Presley’s Aloha from Hawaii via Satellite was NBC’s top-rated special of the year, while Elton John’s albums dominated the number one spot for two and a half months. Just as U.S. involvement in Vietnam drew to a close, Roe v. Wade ignited a new phase in the culture war. While the oil crisis imploded the American dream of endless prosperity, and Watergate’s walls closed in on Nixon, the music of 1973 both reflected a shattered world and brought us together.
Publisher: Macmillan + ORM
ISBN: 1250299993
Category : Music
Languages : en
Pages : 318
Book Description
A fascinating account of the music and epic social change of 1973, a defining year for David Bowie, Bruce Springsteen, Pink Floyd, Elton John, the Rolling Stones, Eagles, Elvis Presley, and the former members of The Beatles. 1973 was the year rock hit its peak while splintering—just like the rest of the world. Ziggy Stardust travelled to America in David Bowie’s Aladdin Sane. The Dark Side of the Moon began its epic run on the Billboard charts, inspired by the madness of Pink Floyd's founder, while all four former Beatles scored top ten albums, two hitting #1. FM battled AM, and Motown battled Philly on the charts, as the era of protest soul gave way to disco, while DJ Kool Herc gave birth to hip hop in the Bronx. The glam rock of the New York Dolls and Alice Cooper split into glam metal and punk. Hippies and rednecks made peace in Austin thanks to Willie Nelson, while outlaw country, country rock, and Southern rock each pointed toward modern country. The Allman Brothers, Grateful Dead, and the Band played the largest rock concert to date at Watkins Glen. Led Zep’s Houses of the Holy reflected the rise of funk and reggae. The singer songwriter movement led by Bob Dylan, Neil Young, and Joni Mitchell flourished at the Troubadour and Max’s Kansas City, where Bruce Springsteen and Bob Marley shared bill. Elvis Presley’s Aloha from Hawaii via Satellite was NBC’s top-rated special of the year, while Elton John’s albums dominated the number one spot for two and a half months. Just as U.S. involvement in Vietnam drew to a close, Roe v. Wade ignited a new phase in the culture war. While the oil crisis imploded the American dream of endless prosperity, and Watergate’s walls closed in on Nixon, the music of 1973 both reflected a shattered world and brought us together.
1965
Author: Andrew Grant Jackson
Publisher: Macmillan
ISBN: 1466864974
Category : Music
Languages : en
Pages : 376
Book Description
“For music lovers who were there and for those who wish they were, the book is a well-researched cultural history that leaves no rolling stone unturned.” —Huffington Post Friendly rivalry between musicians turned 1965 into the year rock evolved into the premier art form of its time and accelerated the drive for personal freedom throughout the Western world. The Beatles made their first artistic statement with Rubber Soul. Bob Dylan released “Like a Rolling Stone, arguably the greatest song of all time, and went electric at the Newport Folk Festival. The Rolling Stones’s “Satisfaction” catapulted the band to world-wide success. New genres such as funk, psychedelia, folk rock, proto-punk, and baroque pop were born. Soul music became a prime force of desegregation as Motown crossed over from the R&B charts to the top of the Billboard Hot 100. Country music reached new heights with Nashville and the Bakersfield sound. Musicians raced to innovate sonically and lyrically against the backdrop of seismic cultural shifts wrought by the Civil Rights Movement, Vietnam, psychedelics, the Pill, long hair for men, and designer Mary Quant’s introduction of the miniskirt. In 1965, Andrew Grant Jackson combines fascinating and often surprising personal stories with a panoramic historical narrative. “Jackson has a better ear than a lot of music writers, and one of the best parts of this book is his many casual citings of songs that echo others . . . [He] show[s] us the familiar through fresh eyes, as . . . he returns us to a year when a lot of us were young and poor and not as happy as we thought we were, yet there was always a great song on the radio.” —Washington Post
Publisher: Macmillan
ISBN: 1466864974
Category : Music
Languages : en
Pages : 376
Book Description
“For music lovers who were there and for those who wish they were, the book is a well-researched cultural history that leaves no rolling stone unturned.” —Huffington Post Friendly rivalry between musicians turned 1965 into the year rock evolved into the premier art form of its time and accelerated the drive for personal freedom throughout the Western world. The Beatles made their first artistic statement with Rubber Soul. Bob Dylan released “Like a Rolling Stone, arguably the greatest song of all time, and went electric at the Newport Folk Festival. The Rolling Stones’s “Satisfaction” catapulted the band to world-wide success. New genres such as funk, psychedelia, folk rock, proto-punk, and baroque pop were born. Soul music became a prime force of desegregation as Motown crossed over from the R&B charts to the top of the Billboard Hot 100. Country music reached new heights with Nashville and the Bakersfield sound. Musicians raced to innovate sonically and lyrically against the backdrop of seismic cultural shifts wrought by the Civil Rights Movement, Vietnam, psychedelics, the Pill, long hair for men, and designer Mary Quant’s introduction of the miniskirt. In 1965, Andrew Grant Jackson combines fascinating and often surprising personal stories with a panoramic historical narrative. “Jackson has a better ear than a lot of music writers, and one of the best parts of this book is his many casual citings of songs that echo others . . . [He] show[s] us the familiar through fresh eyes, as . . . he returns us to a year when a lot of us were young and poor and not as happy as we thought we were, yet there was always a great song on the radio.” —Washington Post
Still the Greatest
Author: Andrew Grant Jackson
Publisher: Scarecrow Press
ISBN: 081088223X
Category : Music
Languages : en
Pages : 355
Book Description
As recommended by USA Today and excerpted on Rolling Stone.com! More than forty years after breaking up, The Beatles remain the biggest-selling and most influential group in the history of popular music. Fans endlessly replay their songs, craving more, while thousands of cover versions of their songs have been recorded and performed. Band biographies, pop music histories, song books, and academic titles on the Fab Four clutter shelves. But never has there been a definitive guide to the finest songs of The Beatles after they called it quits. Still the Greatest is a love song to the songwriting and recording achievements of Paul, John, George, and Ringo after each struck out on his own. In this creative history, Jackson selects the best songs in each solo career and organizes them into fantasy albums they might have formed had the legendary group stayed together. This romp through the post–Beatles history of each artist delves into the circumstances behind the composition, recording, and reception of each work, offering a refreshing take on how spectacular much of The Beatles’ second act truly is. Jackson assesses the more than seventy albums and nine hundred songs the four collectively released, selecting the crème de la crème of their output. Still the Greatest brims with facts (release dates, writing and performing credits, and information about production techniques) and insightful analyses of the music and lyrics. In telling the stories behind the songs, Jackson recounts the remarkable influence the Post Fab Four continued to have long after the big split. Both a handy reference and an engrossing cover-to-cover read, Still the Greatest is an invaluable companion for those who thought it all ended with the 1970 album Let It Be.
Publisher: Scarecrow Press
ISBN: 081088223X
Category : Music
Languages : en
Pages : 355
Book Description
As recommended by USA Today and excerpted on Rolling Stone.com! More than forty years after breaking up, The Beatles remain the biggest-selling and most influential group in the history of popular music. Fans endlessly replay their songs, craving more, while thousands of cover versions of their songs have been recorded and performed. Band biographies, pop music histories, song books, and academic titles on the Fab Four clutter shelves. But never has there been a definitive guide to the finest songs of The Beatles after they called it quits. Still the Greatest is a love song to the songwriting and recording achievements of Paul, John, George, and Ringo after each struck out on his own. In this creative history, Jackson selects the best songs in each solo career and organizes them into fantasy albums they might have formed had the legendary group stayed together. This romp through the post–Beatles history of each artist delves into the circumstances behind the composition, recording, and reception of each work, offering a refreshing take on how spectacular much of The Beatles’ second act truly is. Jackson assesses the more than seventy albums and nine hundred songs the four collectively released, selecting the crème de la crème of their output. Still the Greatest brims with facts (release dates, writing and performing credits, and information about production techniques) and insightful analyses of the music and lyrics. In telling the stories behind the songs, Jackson recounts the remarkable influence the Post Fab Four continued to have long after the big split. Both a handy reference and an engrossing cover-to-cover read, Still the Greatest is an invaluable companion for those who thought it all ended with the 1970 album Let It Be.
What You Want Is in the Limo
Author: Michael Walker
Publisher: Random House
ISBN: 0679644156
Category : Biography & Autobiography
Languages : en
Pages : 266
Book Description
An epic joyride through three history-making tours in 1973 that defined rock and roll superstardom—the money, the access, the excess—forevermore. The Who’s Quadrophenia. Led Zeppelin’s Houses of the Holy. Alice Cooper’s Billion Dollar Babies. These three unprecedented tours—and the albums that inspired them—were the most ambitious of these artists’ careers, and they forever changed the landscape of rock and roll: the economics, the privileges, and the very essence of the concert experience. On these juggernauts, rock gods—and their entourages—were born, along with unimaginable overindulgence and the legendary flameouts. Tour buses were traded for private jets, arenas replaced theaters, and performances transmogrified into over-the-top, operatic spectacles. As the sixties ended and the seventies began, an altogether more cynical era took hold: peace, love, and understanding gave way to sex, drugs, and rock and roll. But the decade didn’t become the seventies, acclaimed journalist Michael Walker writes, until 1973, a historic and mind-bogglingly prolific year for rock and roll that saw the release of countless classic albums, from The Dark Side of the Moon to Goat’s Head Soup; Goodbye Yellow Brick Road; Greetings from Asbury Park, N.J.; and The Wild, the Innocent & the E Street Shuffle. Aerosmith, Queen, and Lynyrd Skynyrd released their debut albums. The Roxy and CBGB opened their doors. Every major act of the era—from Fleetwood Mac to Black Sabbath—was on the road that summer, but of them all, Walker writes, it was The Who, Led Zeppelin, and Alice Cooper who emerged as the game changers. Walker revisits each of these three tours in memorable, all-access detail: he goes backstage, onto the jets, and into the limos, where every conceivable wish could be granted. He wedges himself into the sweaty throng of teenage fans (Walker himself was one of them) who suddenly were an economic force to be reckoned with, and he vividly describes how a decade’s worth of decadence was squeezed into twelve heart-pounding, backbreaking, and rule-defying months that redefined, for our modern times, the business of superstardom. Praise for What You Want Is in the Limo “Required reading . . . 1973 is a turning point in popular music — the border between hippie-ethos ’60s rock ’n’ roll and conspicuous-consumption excess ’70s rock.”—New York Post “Loud and boisterous . . . Like a good vinyl-era single, it’s over before it wears out its welcome. You may even want to flip it over and start again when you’re finished.”—Fort Worth Star-Telegram “You don’t have to love the music or personas of the three bands highlighted here . . . to appreciate the vital roles that all three played in creating the modern rock star. . . . [Walker] is convincing and entertaining in explaining why 1973 was a seminal year in rock.”—The Daily Beast “[There’s] so much rock n' roll history packed inside.”—GQ “Very well written . . . It gives an intellectual immersion into these bands’ lives.”—Led-Zeppelin.org “[Walker] argues for [1973] as a tipping point, when big tours—and bigger money—became a defining ethos in rock music.”—NPR
Publisher: Random House
ISBN: 0679644156
Category : Biography & Autobiography
Languages : en
Pages : 266
Book Description
An epic joyride through three history-making tours in 1973 that defined rock and roll superstardom—the money, the access, the excess—forevermore. The Who’s Quadrophenia. Led Zeppelin’s Houses of the Holy. Alice Cooper’s Billion Dollar Babies. These three unprecedented tours—and the albums that inspired them—were the most ambitious of these artists’ careers, and they forever changed the landscape of rock and roll: the economics, the privileges, and the very essence of the concert experience. On these juggernauts, rock gods—and their entourages—were born, along with unimaginable overindulgence and the legendary flameouts. Tour buses were traded for private jets, arenas replaced theaters, and performances transmogrified into over-the-top, operatic spectacles. As the sixties ended and the seventies began, an altogether more cynical era took hold: peace, love, and understanding gave way to sex, drugs, and rock and roll. But the decade didn’t become the seventies, acclaimed journalist Michael Walker writes, until 1973, a historic and mind-bogglingly prolific year for rock and roll that saw the release of countless classic albums, from The Dark Side of the Moon to Goat’s Head Soup; Goodbye Yellow Brick Road; Greetings from Asbury Park, N.J.; and The Wild, the Innocent & the E Street Shuffle. Aerosmith, Queen, and Lynyrd Skynyrd released their debut albums. The Roxy and CBGB opened their doors. Every major act of the era—from Fleetwood Mac to Black Sabbath—was on the road that summer, but of them all, Walker writes, it was The Who, Led Zeppelin, and Alice Cooper who emerged as the game changers. Walker revisits each of these three tours in memorable, all-access detail: he goes backstage, onto the jets, and into the limos, where every conceivable wish could be granted. He wedges himself into the sweaty throng of teenage fans (Walker himself was one of them) who suddenly were an economic force to be reckoned with, and he vividly describes how a decade’s worth of decadence was squeezed into twelve heart-pounding, backbreaking, and rule-defying months that redefined, for our modern times, the business of superstardom. Praise for What You Want Is in the Limo “Required reading . . . 1973 is a turning point in popular music — the border between hippie-ethos ’60s rock ’n’ roll and conspicuous-consumption excess ’70s rock.”—New York Post “Loud and boisterous . . . Like a good vinyl-era single, it’s over before it wears out its welcome. You may even want to flip it over and start again when you’re finished.”—Fort Worth Star-Telegram “You don’t have to love the music or personas of the three bands highlighted here . . . to appreciate the vital roles that all three played in creating the modern rock star. . . . [Walker] is convincing and entertaining in explaining why 1973 was a seminal year in rock.”—The Daily Beast “[There’s] so much rock n' roll history packed inside.”—GQ “Very well written . . . It gives an intellectual immersion into these bands’ lives.”—Led-Zeppelin.org “[Walker] argues for [1973] as a tipping point, when big tours—and bigger money—became a defining ethos in rock music.”—NPR
Live Fast, Die Young
Author: Chris Price
Publisher: Summersdale
ISBN: 1848399375
Category : Music
Languages : en
Pages : 303
Book Description
Disappointed to learn that Hotel California isn’t actually in the phone book, radio producers Chris and Joe resolve to seek out the true spirit of rock and roll America. Roof down and stereo up, they drive coast to coast on a mission to ‘live the music’. It’s a tale of friendship tested to the limit, great melodies, and noble myths.
Publisher: Summersdale
ISBN: 1848399375
Category : Music
Languages : en
Pages : 303
Book Description
Disappointed to learn that Hotel California isn’t actually in the phone book, radio producers Chris and Joe resolve to seek out the true spirit of rock and roll America. Roof down and stereo up, they drive coast to coast on a mission to ‘live the music’. It’s a tale of friendship tested to the limit, great melodies, and noble myths.
Rock, Counterculture and the Avant-Garde, 1966-1970
Author: Doyle Greene
Publisher: McFarland
ISBN: 1476662142
Category : Music
Languages : en
Pages : 232
Book Description
The convergence of rock music, counterculture politics and avant-garde aesthetics in the late 1960s underscored the careers of the Beatles, Frank Zappa and the Mothers of Invention, and the Velvet Underground. This book examines these artists' relationships to the historical avant-garde (Artaud, Brecht, Dada) and neo-avant-garde (Warhol, Pop Art, minimalism), considering their work in light of debates about modernism versus postmodernism. The author analyzes the performers' use of dissonance and noise within popular music, the role of social commentary and controversial topics in songs, and the experiments with concert and studio performance. Albums discussed include Sgt. Pepper's Lonely Hearts Club Band, The White Album, Freak Out!, We're Only in It for the Money, The Velvet Underground and Nico and White Light/White Heat, as well as John Lennon's collaborations with Yoko Ono, the Zappa-produced Trout Mask Replica by Captain Beefheart and the Magic Band, and Nico's The Marble Index.
Publisher: McFarland
ISBN: 1476662142
Category : Music
Languages : en
Pages : 232
Book Description
The convergence of rock music, counterculture politics and avant-garde aesthetics in the late 1960s underscored the careers of the Beatles, Frank Zappa and the Mothers of Invention, and the Velvet Underground. This book examines these artists' relationships to the historical avant-garde (Artaud, Brecht, Dada) and neo-avant-garde (Warhol, Pop Art, minimalism), considering their work in light of debates about modernism versus postmodernism. The author analyzes the performers' use of dissonance and noise within popular music, the role of social commentary and controversial topics in songs, and the experiments with concert and studio performance. Albums discussed include Sgt. Pepper's Lonely Hearts Club Band, The White Album, Freak Out!, We're Only in It for the Money, The Velvet Underground and Nico and White Light/White Heat, as well as John Lennon's collaborations with Yoko Ono, the Zappa-produced Trout Mask Replica by Captain Beefheart and the Magic Band, and Nico's The Marble Index.
Rock 'n' Roll Myths
Author: Gary Graff
Publisher: Voyageur Press (MN)
ISBN: 076034230X
Category : Biography & Autobiography
Languages : en
Pages : 244
Book Description
It's perhaps the relative modernity of rock 'n' roll that makes the genre a minefield of myths and legends accepted as truth. History hasn't had time to dissect the bunk. Until now. Discover the real stories behind rock's biggest crocks, how they came to be but why they have persisted. Did Cass Elliott really asphyxiate herself with a ham sandwich? Did the Beatles spark a spliff in Buckingham? Did Willie Nelson do the same in the White House? Did Keith Richards get a complete "oil change" at a Swiss clinic in 1973 to pass a drug test necessary to embark on an American tour with the Stones? Then there's the freaky (did Michael Jackson own the remains of the Elephant Man?), the quasi-medical (Rod Stewart and that stomach pump?), the culinary (did Alice Cooper and Ozzy Osbourne really do all those things to bats, chickens, etc. onstage?), and the apocryphal (did Robert Johnson sell his soul to the Prince of Darkness in exchange for mastery of the blues?). In all, more than 50 enduring lies are examined, explained, and debunked.
Publisher: Voyageur Press (MN)
ISBN: 076034230X
Category : Biography & Autobiography
Languages : en
Pages : 244
Book Description
It's perhaps the relative modernity of rock 'n' roll that makes the genre a minefield of myths and legends accepted as truth. History hasn't had time to dissect the bunk. Until now. Discover the real stories behind rock's biggest crocks, how they came to be but why they have persisted. Did Cass Elliott really asphyxiate herself with a ham sandwich? Did the Beatles spark a spliff in Buckingham? Did Willie Nelson do the same in the White House? Did Keith Richards get a complete "oil change" at a Swiss clinic in 1973 to pass a drug test necessary to embark on an American tour with the Stones? Then there's the freaky (did Michael Jackson own the remains of the Elephant Man?), the quasi-medical (Rod Stewart and that stomach pump?), the culinary (did Alice Cooper and Ozzy Osbourne really do all those things to bats, chickens, etc. onstage?), and the apocryphal (did Robert Johnson sell his soul to the Prince of Darkness in exchange for mastery of the blues?). In all, more than 50 enduring lies are examined, explained, and debunked.
Where's Ringo?
Author: Andrew Grant Jackson
Publisher: White Lion Publishing
ISBN: 1781312184
Category : Biography & Autobiography
Languages : en
Pages : 99
Book Description
An album-sized hide-and-seek seek caper through the story of the Beatles, 'Where's Ringo?' features 20 fantastically intricate original artworks inspired by key periods in the Fab Four's evolution. Throughout, the ever-present Ringo Starr has been cleverly hidden for the reader to find, along with an array of Beatle friends and memorabilia, including John Lennon's glasses, Mick Jagger and the Blue Meanies.
Publisher: White Lion Publishing
ISBN: 1781312184
Category : Biography & Autobiography
Languages : en
Pages : 99
Book Description
An album-sized hide-and-seek seek caper through the story of the Beatles, 'Where's Ringo?' features 20 fantastically intricate original artworks inspired by key periods in the Fab Four's evolution. Throughout, the ever-present Ringo Starr has been cleverly hidden for the reader to find, along with an array of Beatle friends and memorabilia, including John Lennon's glasses, Mick Jagger and the Blue Meanies.
Stumbling on Open Ground
Author: Ken Mansfield
Publisher: Thomas Nelson Inc
ISBN: 1400204607
Category : Biography & Autobiography
Languages : en
Pages : 272
Book Description
Stumbling on Open Ground is a story of private trial and faith like those found in the books of Esther and Job. Punctuated with stories from Mansfield's years in the music business---working with George Harrison and Waylon Jennings, among others.
Publisher: Thomas Nelson Inc
ISBN: 1400204607
Category : Biography & Autobiography
Languages : en
Pages : 272
Book Description
Stumbling on Open Ground is a story of private trial and faith like those found in the books of Esther and Job. Punctuated with stories from Mansfield's years in the music business---working with George Harrison and Waylon Jennings, among others.
Still on the Road
Author: Clinton Heylin
Publisher: Constable
ISBN: 1849014949
Category : Music
Languages : en
Pages : 507
Book Description
This is the second volume in Clinton Heylin's magisterial survey of the songs of Bob Dylan. The first volume - Revolution in the Air which is now available in paperback - charted the rise of Bob Dylan from his first jottings to the full expression of genius in songs such as 'Hard Rain Gonna Fall' and 'The Times They Are a Changin''. Still on the Road begins in 1974 with "Blood on the Tracks", the album filled with masterworks such as 'Tangled Up in Blue' and 'Simple Twist of Fate' that heralded a watershed in Dylan's creative journey, and continues to chart his never-ending fascination with music and the art of song up to 2006's "Modern Times". Praise for Revolution in the Air: 'Beg, steal, borrow ... a compelling history of Dylan's mercurial song writing.' Mojo, 5-star review 'Better than any biography could ever be, and a crucial Dylan book' Jonathan Letham 'Valuable resource' Observer 'A gripping new book by Dylan scholar Clinton Heylin so is so far in the deep end that its borderline insane . . [yet] has been devoured with a ravenous, insatiable appetite, and I have even made notes in the margin.' Mark Ellen, Word. 'Terrifically interesting for Dylan nuts' Sunday Herald 'Manna for completists' Metro 'True to form, Heylin digs deep-way deep-into the songs, mixing cold hard facts with illuminating anecdotes.' - Mark Smith, managing editor, Acoustic Guitar
Publisher: Constable
ISBN: 1849014949
Category : Music
Languages : en
Pages : 507
Book Description
This is the second volume in Clinton Heylin's magisterial survey of the songs of Bob Dylan. The first volume - Revolution in the Air which is now available in paperback - charted the rise of Bob Dylan from his first jottings to the full expression of genius in songs such as 'Hard Rain Gonna Fall' and 'The Times They Are a Changin''. Still on the Road begins in 1974 with "Blood on the Tracks", the album filled with masterworks such as 'Tangled Up in Blue' and 'Simple Twist of Fate' that heralded a watershed in Dylan's creative journey, and continues to chart his never-ending fascination with music and the art of song up to 2006's "Modern Times". Praise for Revolution in the Air: 'Beg, steal, borrow ... a compelling history of Dylan's mercurial song writing.' Mojo, 5-star review 'Better than any biography could ever be, and a crucial Dylan book' Jonathan Letham 'Valuable resource' Observer 'A gripping new book by Dylan scholar Clinton Heylin so is so far in the deep end that its borderline insane . . [yet] has been devoured with a ravenous, insatiable appetite, and I have even made notes in the margin.' Mark Ellen, Word. 'Terrifically interesting for Dylan nuts' Sunday Herald 'Manna for completists' Metro 'True to form, Heylin digs deep-way deep-into the songs, mixing cold hard facts with illuminating anecdotes.' - Mark Smith, managing editor, Acoustic Guitar