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Author: Matthäus (the Younger) Merian
Publisher: Courier Corporation
ISBN: 0486132765
Category : Art
Languages : en
Pages : 128
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Book Description
Quadrupeds, snakes, mollusks and crustaceans, birds, fish, and insects depicted realistically and fancifully, plus such fantasy creatures as unicorns, dragons, and basilisks. Indispensable volume of royalty-free graphics for commercial artists.
Author: Matthäus (the Younger) Merian
Publisher: Courier Corporation
ISBN: 0486132765
Category : Art
Languages : en
Pages : 128
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Book Description
Quadrupeds, snakes, mollusks and crustaceans, birds, fish, and insects depicted realistically and fancifully, plus such fantasy creatures as unicorns, dragons, and basilisks. Indispensable volume of royalty-free graphics for commercial artists.
Author: Richard Huber
Publisher: Courier Corporation
ISBN: 0486319091
Category : Art
Languages : en
Pages : 159
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Book Description
Vast compilation of royalty-free images from many cultures and eras — from prehistoric rock paintings to works of Max Ernst, from the masks of black Africa to the gargoyles of Notre Dame.
Author: Ernst and Johanna Lehner
Publisher: Courier Corporation
ISBN: 048613251X
Category : Art
Languages : en
Pages : 194
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Book Description
244 representations, symbols, and manuscript pages of devils and death from Ancient Egypt to 1913. Fascinating graphics depict demons, witches, and warlocks, more. Works by Dürer, Cranach, Holbein, Rembrandt, others.
Author: Ernst Lehner
Publisher: Courier Corporation
ISBN: 0486435121
Category : Design
Languages : en
Pages : 194
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Book Description
Provides an illustrated look at dragons, griffins, werewolves, serpent monsters, sirens, mermaids, and other mythical creatures of land, sea, and air and includes text with legends from around the world.
Author: Elizabeth Morrison
Publisher: Getty Publications
ISBN: 1606065904
Category : Art
Languages : en
Pages : 356
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Book Description
A celebration of the visual contributions of the bestiary--one of the most popular types of illuminated books during the Middle Ages--and an exploration of its lasting legacy. Brimming with lively animals both real and fantastic, the bestiary was one of the great illuminated manuscript traditions of the Middle Ages. Encompassing imaginary creatures such as the unicorn, siren, and griffin; exotic beasts including the tiger, elephant, and ape; as well as animals native to Europe like the beaver, dog, and hedgehog, the bestiary is a vibrant testimony to the medieval understanding of animals and their role in the world. So iconic were the stories and images of the bestiary that its beasts essentially escaped from the pages, appearing in a wide variety of manuscripts and other objects, including tapestries, ivories, metalwork, and sculpture. With over 270 color illustrations and contributions by twenty-five leading scholars, this gorgeous volume explores the bestiary and its widespread influence on medieval art and culture as well as on modern and contemporary artists like Pablo Picasso and Damien Hirst. Published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center May 14 to August 18, 2019.
Author: Virginia DeJohn Anderson
Publisher: Oxford University Press
ISBN: 0199839727
Category : History
Languages : en
Pages : 493
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Book Description
When we think of the key figures of early American history, we think of explorers, or pilgrims, or Native Americans--not cattle, or goats, or swine. But as Virginia DeJohn Anderson reveals in this brilliantly original account of colonists in New England and the Chesapeake region, livestock played a vitally important role in the settling of the New World. Livestock, Anderson writes, were a central factor in the cultural clash between colonists and Indians as well as a driving force in the expansion west. By bringing livestock across the Atlantic, colonists believed that they provided the means to realize America's potential. It was thought that if the Native Americans learned to keep livestock as well, they would be that much closer to assimilating the colonists' culture, especially their Christian faith. But colonists failed to anticipate the problems that would arise as Indians began encountering free-ranging livestock at almost every turn, often trespassing in their cornfields. Moreover, when growing populations and an expansive style of husbandry required far more space than they had expected, colonists could see no alternative but to appropriate Indian land. This created tensions that reached the boiling point with King Philip's War and Bacon's Rebellion. And it established a pattern that would repeat time and again over the next two centuries. A stunning account that presents our history in a truly new light, Creatures of Empire restores a vital element of our past, illuminating one of the great forces of colonization and the expansion westward.
Author: Joseph Nigg
Publisher: University of Chicago Press
ISBN: 0226925188
Category : History
Languages : en
Pages : 161
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Book Description
The mythic creature expert and author of Phoenix takes readers through a bestiary of sea monsters featured on the famous 16th century map Carta Marina. In the sixteenth century, sea serpents, giant man-eating lobsters, and other monsters were thought to swim the waters of Norther Europe, threatening seafarers who ventured too far from shore. Thankfully, Scandinavian mariners had Olaus Magnus, who in 1539 charted these fantastic marine animals in his influential map of the Nordic countries, the Carta Marina. In Sea Monsters, mythologist Joseph Nigg brings readers face-to-face with these creatures and other magnificent components of Magnus’s map. Nearly two meters wide in total, the map’s nine wood-block panels comprise the largest and first realistic portrayal of the region. But in addition to its important geographic significance, Magnus’s map goes beyond cartography to scenes both domestic and mystic. Close to shore, Magnus shows humans interacting with common sea life—boats struggling to stay afloat, merchants trading, children swimming, and fisherman pulling lines. But from the offshore deeps rise some of the most terrifying sea creatures imaginable—like sea swine, whales as large as islands, and the Kraken. In this book, Nigg draws on Magnus’s own text to further describe and illuminate these inventive scenes and to flesh out the stories of the monsters. Sea Monsters is a stunning tour of a world that still holds many secrets for us land dwellers, who will forever be fascinated by reports of giant squid and the real-life creatures of the deep that have proven to be as bizarre and otherworldly as we have imagined for centuries. It is a gorgeous guide for enthusiasts of maps, monsters, and the mythic. “[A] beautiful new exploration of the Carta Marina.”—Wired
Author: Stanislas Klossowski de Rola
Publisher: Thames & Hudson
ISBN: 9780500279816
Category : Art
Languages : en
Pages : 320
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Book Description
Alchemy and the quest for the Philosopher's Stone have been a strand in the development of European culture from antiquity onwards. With the spread of printing, the whole fantastic iconography flowered as never before. This fascinating book presents a selection of the finest alchemical engravings, brought together for the first time, and describes their origins and meanings. 533 illustrations.
Author: Edward Payson Evans
Publisher:
ISBN:
Category : Animal sculpture
Languages : en
Pages : 400
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Book Description
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
