Biennale of Sydney 2000 : 12th Biennale of Sydney, 26 May - 30 July 2000 ; selection panel: Fumio Nanjo ... ; venues: Art Gallery of New South Wales ... PDF Download
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Author: Biennale of Sydney. 12, 2000, Sydney
Publisher:
ISBN: 9780959661996
Category :
Languages : en
Pages :
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Author: Biennale of Sydney. 12, 2000, Sydney
Publisher:
ISBN: 9780959661996
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Ewen McDonald
Publisher: Conran Octopus
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
"From the very beginning when the first exhibition premiered at the newly opened Opera House in 1973, our aim was to bring ao Australia the latest developments in contemporary art from around the world...The Biennale of Sydney 2000 continues this outstanding tradition..." --p. 6.
Author: Simon Rees
Publisher:
ISBN:
Category : Art
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN: 9780959661996
Category :
Languages : en
Pages : 214
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Book Description
Author:
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 276
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 14
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Book Description
Author:
Publisher:
ISBN:
Category : Art, Australian
Languages : en
Pages : 276
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Book Description
Author: Martin Gascoigne
Publisher: ANU Press
ISBN: 1760462357
Category : Art
Languages : en
Pages : 445
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Book Description
Rosalie Gascoigne (1917–1999) was a highly regarded Australian artist whose assemblages of found materials embraced landscape, still life, minimalism, arte povera and installations. She was 57 when she had her first exhibition. Behind this late coming-out lay a long and unusual preparation in looking at nature for its aesthetic qualities, collecting found objects, making flower arrangements and practising ikebana. Her art found an appreciative audience from the start. She was a people person, and it pleased her that through her exhibiting career of 25 years, her works were acquired by people of all ages, interests and backgrounds, as well as by the major public institutions on both sides of the Tasman Sea.
Author: Marie Geissler
Publisher: Cambridge Scholars Publishing
ISBN: 1527564274
Category : Art
Languages : en
Pages : 228
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Book Description
This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert acrylic paintings. This text, however represents a refocus, and addresses this more fully by integrating Arnhem Land bark painting into the contemporary history of Aboriginal art. The trajectory moves from its understanding as a form of ethnographic art, to seeing it as conceptual art and appreciating it for its cultural agency and contemporaneity.
Author: Eva Meyer-Hermann
Publisher: Yale University Press
ISBN: 0300244673
Category : Art
Languages : en
Pages : 457
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Book Description
Belgian painter Luc Tuymans (b. 1958) has, over the course of his remarkable career, created a distinctive vernacular, and is widely credited with having contributed to the revival of painting in the 1990s. This second volume in a planned three-volume catalogue raisonné of Tuymans’s paintings surveys nearly two hundred works, featuring some of his most iconic canvases, including from his seminal exhibition Mwana Kitoko: Beautiful White Man (2000), derived from the fraught history of Belgian colonial rule of the Democratic Republic of the Congo, and The Secretary of State (2005), a portrayal of Condoleeza Rice which conjures the history of racial and sexual prejudice in the United States. Brilliant color reproductions of each painting from this period are accompanied by an illustrated chronology with archival images and installation views of the works in the volume. This catalogue raisonné is a testament to Tuymans’s persistent assertion of the relevance and importance of painting—a conviction that he maintains even in today’s digital world.
