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Author: H. M. Auden
Publisher:
ISBN:
Category : Archives
Languages : de
Pages : 440
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Book Description
Author: H. M. Auden
Publisher:
ISBN:
Category : Archives
Languages : de
Pages : 440
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Author:
Publisher:
ISBN:
Category : Austria
Languages : de
Pages : 640
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Author: Spink & Son
Publisher:
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Category :
Languages : en
Pages : 264
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Author: American Numismatic Society. Library
Publisher:
ISBN:
Category : Numismatics
Languages : en
Pages : 928
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Author:
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ISBN:
Category : Coins
Languages : en
Pages : 1240
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Publisher: BRILL
ISBN: 9004353712
Category : History
Languages : en
Pages : 474
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Book Description
The book Southwest China in Regional and Global Perspectives (c. 1600-1911) is dedicated to important issues in society, trade, and local policy in the southwestern provinces of Yunnan, Guizhou and Sichuan during the late phase of the Qing period. It combines the methods of various disciplines to bring more light into the neglected history of a region that witnessed a faster population growth than any other region in China during that age. The contributions to the volume analyse conflicts and arrangements in immigrant societies, problems of environmental change, the economic significance of copper as the most important “export” product, topographical and legal obstacles in trade and transport, specific problems in inter-regional trade, and the roots of modern transnational enterprise.
Author:
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Category : Union catalogs
Languages : en
Pages : 648
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Author: Kim Sloan
Publisher:
ISBN:
Category : History
Languages : en
Pages : 312
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Book Description
The Enlightenment was a period of intense activity devoted to discovery and learning about the natural world, the past and other civilizations. Classification, collecting and deciphering were all important stages on the way to understanding the world and its inhabitants. The King's Library was built to house the books donated from the royal libraries of King George II and his grandson King George III, and they epitomize the interest in the late 18th and early 19th centuries in scholarship and study. Aimed at the general reader and relevant to many academic diciplines, this book explores the ways people acquired new information, organized their ideas and reached their conclusions.
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Category : American literature
Languages : en
Pages : 648
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Author: Wannaporn Rienjang
Publisher: Archaeopress
ISBN: 1784918555
Category : Art
Languages : en
Pages : 173
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Book Description
Since the beginning of Gandhāran studies in the nineteenth century, chronology has been one of the most significant challenges to the understanding of Gandhāran art. Many other ancient societies, including those of Greece and Rome, have left a wealth of textual sources which have put their fundamental chronological frameworks beyond doubt. In the absence of such sources on a similar scale, even the historical eras cited on inscribed Gandhāran works of art have been hard to place. Few sculptures have such inscriptions and the majority lack any record of find-spot or even general provenance. Those known to have been found at particular sites were sometimes moved and reused in antiquity. Consequently, the provisional dates assigned to extant Gandhāran sculptures have sometimes differed by centuries, while the narrative of artistic development remains doubtful and inconsistent. Building upon the most recent, cross-disciplinary research, debate and excavation, this volume reinforces a new consensus about the chronology of Gandhāra, bringing the history of Gandhāran art into sharper focus than ever. By considering this tradition in its wider context, alongside contemporary Indian art and subsequent developments in Central Asia, the authors also open up fresh questions and problems which a new phase of research will need to address. Problems of Chronology in Gandhāran Art is the first publication of the Gandhāra Connections project at the University of Oxford’s Classical Art Research Centre, which has been supported by the Bagri Foundation and the Neil Kreitman Foundation. It presents the proceedings of the first of three international workshops on fundamental questions in the study of Gandhāran art, held at Oxford in March 2017.
