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Languages : fr
Pages : 4
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Author:
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Category :
Languages : fr
Pages : 4
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Author: Ken Gelder
Publisher: Psychology Press
ISBN: 9780415213561
Category : Literary Criticism
Languages : en
Pages : 438
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Book Description
This study brings together writings on this controversial genre, spanning the history of horror in literature and film. It discusses texts from the United States, Europe, the Caribbean and Hong Kong.
Author: F.A. Hayek
Publisher: Routledge
ISBN: 1134966032
Category : Business & Economics
Languages : en
Pages : 323
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Book Description
This volume presents much newly published work by Hayek on methodology of economics, its development as a subject, its key thinkers and its important debates. It is published in corrected, revised and annotated form with a long introduction.
Author: John Denison Champlin
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 508
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Author: John Waddington
Publisher:
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Category : Congregationalism
Languages : en
Pages : 798
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Author: Samuel Webber
Publisher:
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Category : American poetry
Languages : en
Pages : 70
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Author: New England Historic Genealogical Society
Publisher:
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Category : New England
Languages : en
Pages : 544
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Author: Edwin Hubbell Chapin
Publisher:
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Category : Conduct of life
Languages : en
Pages : 216
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Author: Francis Parkman
Publisher:
ISBN:
Category : Pontiac's Conspiracy, 1763-1765
Languages : en
Pages : 404
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Book Description
Author: Karen Henson
Publisher: Cambridge University Press
ISBN: 1107004268
Category : Music
Languages : en
Pages : 281
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Book Description
Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Célestine Galli-Marié; Massenet's muse of the 1880s and 1890s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.
