The Founding of Aesthetics in the German Enlightenment PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Founding of Aesthetics in the German Enlightenment PDF full book. Access full book title The Founding of Aesthetics in the German Enlightenment by Stefanie Buchenau. Download full books in PDF and EPUB format.
Author: Stefanie Buchenau
Publisher: Cambridge University Press
ISBN: 1107027136
Category : History
Languages : en
Pages : 281
Get Book Here
Book Description
Stefanie Buchenau explores the philosophical and conceptual origins of aesthetics and the philosophy of art.
Author: Stefanie Buchenau
Publisher: Cambridge University Press
ISBN: 1107027136
Category : History
Languages : en
Pages : 281
Get Book Here
Book Description
Stefanie Buchenau explores the philosophical and conceptual origins of aesthetics and the philosophy of art.
Author: Slavko Kacunko
Publisher: Slavko Kacunko
ISBN: 3000692134
Category : Philosophy
Languages : en
Pages : 855
Get Book Here
Book Description
After Taste is an inquiry into a field of study dedicated to the reconsideration, reconstruction and rehabilitation of the concept of Taste. Taste is the category, whose systematic, historical and actual dimensions have traditionally been located in a variety of disciplines. The actuality and potential of the study is based on a variety of collected facts from readings and experiences, which materialize in the following features: One concept (figurative Taste), two thinking traditions (analytic and synthetic/continental) and three interrelated dimensions (systematic, historic and actual) are presented in three volumes. As such, the study presents a salient comprehensive companion for wider readership of humanities approaching conceptions of Taste for the first time. Moreover, After Taste is intended for anyone who hopes to make a further contribution to the subject. Since its appearance and apparently short triumph some 250 years ago, the concept of non-literary Taste remained the linchpin of aesthetic theory and practice, but also a category outreaching aesthetics. Taste as the personal unity of the production, theory and criticism of art and literature, which was still largely taken as a given in the eighteenth century, has meanwhile given way to a highly-differentiated art world, in which aesthetic discourse is placed in such a way that it can seemingly no longer have a conceptual or linguistic effect on general opinion making. The critical role of “Taste judges”, ratings and rankings in the feuilleton, politics and social media on the one hand and the responding search for new canons on the other have had a huge impact on the academic and popular discourse today. However, Taste’s impact on society is in fact all-encompassing and yet, without getting even close to the “magnetic North” of the academic compass. After Taste fills the gaps of systematic research by a comprehensive tracing of the emergence of the doctrines, discourses and disciplinary dimensions of Taste up to the peak of its systematic and historical trajectory in the eighteenth century and onwards into the present day. The guiding goal is a post-disciplinary rehabilitation of the contested category as a preparation for its productive usage in emerging academic and popular contexts. Three intertwined research hypotheses form the guiding goal of an overall study of the agencies of Taste, its institutionalizations and expert cultures: The (1) first part provides a missing systematic perspective on the concept of Taste as a key factor for understanding the human faculties, value theories and practices of valuating. The (2) second part traces the events at the peak of Taste’s systematic and historical trajectories up until the late eighteenth century and verifies the historiographical hypothesis about the instrumentality of Taste for the production, reception and distribution of culture. The (3) third part reconstructs the major moments in which the contested concept of Taste experiences its post-disciplinary rehabilitation, in preparation for its future productive usage in the academic and popular discourses and practices. It shows how the category of Taste became the foundation, legitimation and the catalyst for the emerging division of labour, faculties and disciplines, confirming the hypothesis of the immense impact and actuality of Taste in the contemporary world.
Author: Heiner F. Klemme
Publisher: Bloomsbury Publishing
ISBN: 1474255981
Category : Philosophy
Languages : en
Pages : 939
Get Book Here
Book Description
The Bloomsbury Dictionary of Eighteenth-Century German Philosophers is a landmark work. Covering one of the most innovative centuries for philosophical investigation, it features more than 650 entries on the eighteenth-century philosophers, theologians, jurists, physicians, scholars, writers, literary critics and historians whose work has had lasting philosophical significance. Alongside well-known German philosophers of that era-Gottfried Wilhelm Leibniz, Immanuel Kant, and Georg Wilhelm Friedrich Hegel-the Dictionary provides rare insights into the lives and minds of lesser-known individuals who influenced the shape of philosophy. Each entry discusses a particular philosopher's life, contributions to the world of thought, and later influences, focusing not only on their most important published writings, but on relevant minor works as well. Bibliographical references to primary and secondary source material are included at the end of entries to encourage further reading, while extensive cross-referencing allows comparisons to be easily made between different thinkers' ideas and practices. For anyone looking to understand more about the century when enlightenment thinking arrived in Germany and established conceits were challenged, The Bloomsbury Dictionary of Eighteenth-Century German Philosophers is a valuable, unparalleled resource.
Author: Barbara Becker-Cantarino
Publisher: Boydell & Brewer
ISBN: 1571132465
Category : Literary Criticism
Languages : en
Pages : 363
Get Book Here
Book Description
The Enlightenment was based on the use of reason, common sense, and "natural law," and was paralleled by an emphasis on feelings and the emotions in religious, especially Pietist circles. Progressive thinkers in England, France, and later in Germany began to assail the absolutism of the state and the orthodoxy of the Church; in Germany the line led from Leibniz, Thomasius, and Wolff to Lessing and Kant, and eventually to the rise of an educated upper middle class. Literary developments encompassed the emergence of a national theater, literature, and a common literary language. This became possible in part because of advances in literacy and education, especially among bourgeois women, and the reorganization of book production and the book market. This major new reference work provides a fresh look at the major literary figures, works, and cultural developments from around 1700 up to the late Enlightenment. They trace the 18th-century literary revival in German-speaking countries: from occasional and learned literature under the influence of French Neoclassicism to the establishment of a new German drama, religious epic and secular poetry, and the sentimentalist novel of self-fashioning. The volume includes the new, stimulating works of women, a chapter on music and literature, chapters on literary developments in Switzerland and in Austria, and a chapter on reactions to the Enlightenment from the 19th century to the present. The recent revaluing of cultural and social phenomena affecting literary texts informs the presentations in the individual chapters and allows for the inclusion of hitherto neglected but important texts such as essays, travelogues, philosophical texts, and letters. Contributors: Kai Hammermeister, Katherine Goodman, Helga Brandes, Rosmarie Zeller, Kevin Hilliard, Francis Lamport, Sarah Colvin, Anna Richards, Franz M. Eybl, W. Daniel Wilson, Robert Holub. Barbara Becker-Cantarino is Research Professor in German at the Ohio State University.
Author: Miranda Eva Stanyon
Publisher: University of Pennsylvania Press
ISBN: 0812253086
Category : Literary Collections
Languages : en
Pages : 286
Get Book Here
Book Description
What does the sublime sound like? Miranda Stanyon traces competing varieties of the sublime, a crucial modern aesthetic category, as shaped by the antagonistic intimacies between music and language. In resounding the history of the sublime over the course of the long eighteenth century, she finds a phenomenon always already resonant.
Author: Simon Williams
Publisher: Cambridge University Press
ISBN: 9780521611930
Category : Drama
Languages : en
Pages : 264
Get Book Here
Book Description
Professor Williams focuses on the classical period of German literature and theatre, when Shakespeare's plays were first staged in Germany in a relatively complete form, and when they had a potent influence on the writings of German drama and dramatic criticism.
Author: Michael Wood
Publisher: Rowman & Littlefield
ISBN: 1611462932
Category : Literary Criticism
Languages : en
Pages : 259
Get Book Here
Book Description
Focusing on particular cases of Anglo-German exchange in the period known as the Sattelzeit (1750-1850), this volume of essays explores how drama and poetry played a central role in the development of British and German literary cultures. With increased numbers of people studying foreign languages, engaging in translation work, and traveling between Britain and Germany, the eighteenth and nineteenth centuries gave rise to unprecedented opportunities for intercultural encounters and transnational dialogues. While most research on Anglo-German exchange has focused on the novel, this volume seeks to reposition drama and poetry within discourses of national identity, intercultural transfer, and World Literature. The essays in the collection cohere in affirming the significance of poetry and drama as literary forms that shaped German and British cultures in the period. The essays also consider the nuanced movement of texts and ideas across genres and cultures, the formation and reception of poetic personae, and the place of illustration in cross-cultural, textual exchange.
Author: W J B Owen
Publisher: Lulu.com
ISBN: 1847600778
Category : Fiction
Languages : en
Pages : 461
Get Book Here
Book Description
Volume 1 of The Prose Works of William Wordsworth, as edited by W J B Owen and Jane W Smyser. This is a print version of the new, searchable, navigable, electronic edition of this standard work. Compared with the original Clarendon edition, this one has two advantages: textual notes are more clearly separated and are columnized; and the existence of editorial commentary is indicated by marginal symbols in the text (in the ebook, of course, these symbols are hyperlinked to the commentary). While colour is used in the preview, as in the ebook, the print in the paperback is black and white. The Contents include Wordsworth's famous poetical manifesto, the 'Preface to Lyrical Ballads', his Jacobinical defence of political terror in 'A Letter to the Bishop of Llandaff; and an impassioned intervention in the peninsular wars, protesting at British betrayal of Portuguese and Spanish allies at the Convention of Cintra.
Author: Ulrich L. Lehner
Publisher: Fortress Press
ISBN: 1506408990
Category : Religion
Languages : en
Pages : 414
Get Book Here
Book Description
In the present day, there is widespread confusion regarding the theological achievements of the Catholic Enlightenment. This book outlines such contributions in the fields of biblical exegesis, church reform, liturgical renewal, and the move toward a more tolerant view of other churches and religions. Since some of the most important Catholic Enlighteners lived in Germany, this book concentrates on their endeavors, but also frequently points to other European players. Only an unpolemical historical assessment of the Catholic Enlightenment can help us to get out of the current gridlock of interpreting Vatican II: was there a break with tradition, or was there continuity? By reviewing the historical debates that preceded Vatican II, the unknown, marginalized, or deliberately forgotten roots of the conciliar debates come to light that can help us fine-tune future hermeneutical endeavors. This history is hitherto unknown to most researchers. Indeed, it is possibly the most neglected field of modern literary history.
Author: University of California, Los Angeles. Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 1030
Get Book Here
Book Description
